Skip to content

Click here to subscribe and ‘opt-in’ to Deirdre Dyson emails about news, events, collections and our blog Dismiss

Share this post


In Edison‘s occasional series on interior design he explores how best to bring Pantone’s color of the year for 2018, UV, into your interior.

So, the colour for 2018 is Pantone Ultra Violet 18-3838.

And people, do we need some ultra violet after such a dull autumn and long winter spell? Definitely a yes!

This year’s colour is full of vibrancy, leaving you the options to go full force or alternatively, down play it as an accent colour to punchy effect.

Xavier Veilhan at Versailles 2009, Galerie Perrotin, Paris Veilhan/Adagp, Paris 2010

As with any rich colour, look for the complimentary colours (usually at the opposite end of the colour wheel) to either lift it or cool it.

Violets are naturally on the feminine side of the spectrum and work best when paired with concentrated golds and yellows in restrained amounts. UV is the perfect accompaniment to areas filled with rich cream backgrounds that need a warming uplift.

This playful trumpet style lamp by Delightfull shows just how well these tones mix.

Masculinise violet by contrasting against black or slate. Keep metals to dull or brushed golds and bronze whilst adding natural wood elements for a soothing harmony, as shown in the following image.


If the prospect of Ultra Violet partitions and spaces feels rather overwhelming, then stick to blocking the colour to fixtures, fittings and accessories, rather than pasting it on the walls.

The Strappo and Silenzio encased washbasins by Domenico de Palo and shown here finished in violet, is a perfect example.

Decorative cushions with Ultra Violet undertones (V&A for John Lewis) , simple iridescent glass vases (Habitat) and striking violet patterned fabric by Melo Design are great ways to introduce this energy on a less permanent (and imposing) way.



Or introduce UV elements on the floor with our DEVILS BIT SCABIOUS or DUSK carpet.


And just in case you’d rather wear it, be seen out in vibrant style with a dash of Tom Ford’s ‘Wet Violet’ lip gloss. Just perfect for a rainy day.



Share this post


Our Designer Nichola recently visited the Speed & Style exhibition at the V&A – a fascinating exploration of the feats of engineering, high design and intrinsic glamour of transatlantic travel in its heyday.

The exhibition showcases some of the spectacular interiors created with no expense spared for the design-conscious, first class passengers on board, their sophistication and opulence worlds away from today’s cruise ships.

These interiors were beautifully decorated in the style of their period, most prominently Art Nouveau and Art Deco, employing highest quality materials and craftsmanship.

Accommodation on the First Class decks included ornate wood panelling, hand painted murals and superb bespoke textiles and carpets such as this 100% wool rug and section of carpet created for the Queen Mary by Glasgow company James Templeton and Company for the Stateroom and Drawing Room.  These carpets were created in-house and made to the highest specification.

Bespoke Textiles.

Children’s chair from the first-class playroom on French ship the Normandie.

Opulent doors and panelling (circa1912) from the France, the Compagnie Générale Transatlantique’s largest ship.


Share this post

#LDF17 at the V&A

Nichola and Anthony visited this year’s London Design Festival installations at the V&A.

As usual during the festival the installations, amazing structures in their own right, lead you through the museum and responded to their immediate environment, encouraging the viewer to look at their surroundings differently.

‘Reflection Room’ by Flynn Talbot

‘Transmission’ by Ross Lovegrove

‘While We Wait’ by Elias and Yousef Anastas