Skip to content

Click here to subscribe and ‘opt-in’ to Deirdre Dyson emails about news, events, collections and our blog Dismiss


Share this post

Ahm House – the perfect setting for Deirdre Dyson’s Plumage Rug Collection

Our Stylist Louisa Grey works closely with Deirdre as soon as a rug collection is designed to find exactly the right locations for our collection photo shoots and this year one of them stood out, Ahm House.

Deirdre Dyson Exclusive Carpets and Rugs Plumes

The house was originally built by Danish Structural Engineer Povl Ahm, a partner of Ove Arup, who worked on some of last Century’s most significant buildings.

It’s Architect was also a Dane, Jørn Utzon, who’s most prestigious building was the Sydney Opera House.

Photo from themodernhouse.com

Arup also worked on the Opera House and the two men met during the early stages of its design, culminating in Ahm asking Utzon to design his home which he built in Harpenden, Hertfordshire from 1961-3.  It was to be Utzon’s only completed project in the UK.

This low-lying Pavilion of concrete and brick unfolds to dramatically reveal floor to ceiling glass bringing the secluded, mature gardens into the classic mid-Century space.  In the words of architecture critic Hugh Pearman “Probably the best Modern house in the world”.

As Ahm’s family grew, a later extension was added by Ulrik Plesner in association with Christopher Beaver Associates in 1972-4.

Now Grade II listed, from the street the house gives nothing away, dominated by its car port (and the later garage which formed part of the Plesner extension)

Photo from themodernhouse.com

Ahm’s widow sold the house after his death in 2005 and it was sold again in 2016.  The new owners wanted to maintain the character of the home and employed Architects Coppin Dockray to work on the interiors which have been sensitively restored.  The restoration went on to win the Wallpaper* Design Award 2019 for Best Remastered Building.

Fast forward to Autumn last year and our shoot which featured Deirdre’s PLUMES, HARLEQUIN, MANDARIN, BURLESQUE and FEATHER BOUND rugs – Deirdre and Edison knew something special would unfold when they attended the shoot at the Ahm House and the finished photographs by Michael Sinclair are testament to that.

Deirdre Dyson Exclusive Carpets and Rugs Quills
Deirdre Dyson Exclusive Carpets and Rugs Mandarin
Deirdre Dyson Exclusive Carpets and Rugs Harlequin
Deirdre Dyson Exclusive Carpets and Rugs Burlesque

Share this post

Centenary of the Bauhaus

Deirdre Dyson’s ANGULUS rug, originally designed for the V&A Museum‘s Modernism exhibition

2019 marks the centenary of the Bauhaus, one of the most significant movements in art and design of the 21st Century.

In 1919, Walter Gropius became the director of a new institution created from the merger of two art schools in Weimar.  This new school, the Staatliches Bauhaus, was to be known simply as the Bauhaus.  Even though Gropius was an architect and the term ‘Bauhaus’ literally translates as “construction house,” it did not solely concentrate on architecture, it was a school encompassing all elements of art and design.

Gropius aim was “to create a new guild of craftsmen, without the class distinctions which raise an arrogant barrier between craftsman and artist.” Combining influences from modernism, the English Arts and Crafts movement, and Constructivism, Gropius promoted the idea that design was to serve the community and exist in its purist form, epitomised in the Bauhaus principle ‘Form follows function’.

The interdisciplinary nature of the Bauhaus realised the concept of “Gesamtkunstwerk,” or complete work of art, meaning the visual arts, graphic design product and furniture design as well as architecture combined to create a cohesive environment comprising simple, elegant geometric shapes, solid colours and minimalist spaces.

Having moved over the course of its existence from Weimar to Dessau and finally Berlin, the Bauhaus was closed by the Nazis in 1933 for producing ‘degenerate art’.  Despite this suppression, the Bauhaus lived on and it’s ideologies spread as many of its staff and students fled Germany bringing the school’s idealistic concepts with them, influences that continue to have an impact on design today.

Despite being known as a minimalist discipline, The Bauhaus felt an understanding of colour was of paramount importance and colour theories taught as part of the school’s foundation course by artists Johannes Itten, Wassily Kandinsky, Paul Klee, and Josef Albers formed the basis of contemporary colour theory. This included expanding the colour wheel, developing ideas of colour contrast, exploring the psychological effects of colour and their spiritual and transcendental nature.

Other Bauhuas luminaries included Josef’s wife Anni Albers, Hinnerk Scheper, Georg Muche, Laszlo Moholy-Nagy, Herbert Bayer, Joost Schmidt, Marcel Breuer, Lyonel Feininger, Gunta Stölzl and Oskar Schlemmer, Hannes Meyer and Ludwig Mies van der Rohe.

Like any colourist, Deirdre Dyson’s designs inadvertently pay homage to the Bauhaus concepts and artists, with both the application of colour theory and form but some of Deirdre’s rug designs really do make a more obvious nod to the movement, none more so than ANGULUS with its stark geometry and solid colours.

Several of Deirdre’s designs or bespoke reworkings never make it to the loom, so for a bit of fun, we’ve trawled through the archive to find some other Deirdre Dyson designs which illustrate Bauhaus principles of form and colour, here’s what we’ve found.

An alternate working of Deirdre Dyson’s WINDOWS created for a scheme in New York

 

A carpet design by Deirdre Dyson based on rectangles and squares
A reworking of Deirdre Dyson’s ODEON design, entitled ENCOMPASS concept design for a project in New York

 

A simple geometric design created by Deirdre Dyson
Deirdre Dyson’s OVERLAY rug design reminiscent of Josef Alber’s ‘Homage to the Square’ (below)


Share this post

NOS AMIS ARGILE

Deirdre is a huge fan of the Parisian paint brand Argile, and has used Argile paints in her interiors for several years.

As a colourist, the ‘trueness’ of a hue on a given surface is key to Deirdre , and this quality of colour is paramount to Argile.

Founded in 2006, Argile was born of the encounter between an entrepreneur and paint expert, Jean Frédéric Nothomb, and a colour specialist, Pierre Bonnefille. The idea was to offer a premium range of paint products to architects, decorators, set designers and all those who have an interest in decoration, whether professionals or private individuals.

Their philosophy is to draw inspiration from the colours of nature and their challenge to manufacture a range of the highest quality colours on an industrial scale, coupled with exceptional service.

Argile take inspiration from the sky, sea and landscape, Argile translates as ‘clay’ referring to organic nature of their colour inspiration as well as the raw materials of their paint.

Argile’s palette of 184 glorious colours work in harmony to create an exceptional finish.

Argile paints are now found in historic properties, such as the Louvre and the Grand Palais in Paris, as well as luxury hotels such as the Connaught in London and the Hoxton in Amsterdam, and in the interior design of countless traditional and contemporary homes.

When it came to designing our stand for this years’ Maison et Objet interiors exhibition, Argile’s colour chart was Deirdre’s first port of call, from which she selected the perfect backdrop for each of the eight new rug designs on display.

The earth colours of ‘grivele’ worked perfectly with QUILLS and FEATHER BOUND, ‘gres’ provided the perfect backdrop to the magestic EAGLE , ‘bleu burlington’ brought out the turqouise feather tips in PLUMES and also provided a foil for the vibrancy of GOLDEN PHEASANT and BURLESQUE, whilst ‘ardoise bleue’ set off the stunning tones of MANDARIN and HARLEQUIN.

Detail of GOLDEN PHEASANT with Argile’s ‘gres’ on the wall behind.

Argile’s ‘gres’ was the perfect background for EAGLE.

Detail of FEATHER BOUND with Argile’s ‘grevele’ on the wall behind.

PLUMES with Argile’s ‘bleu burlington’ on the wall behind.

We feel a real affinity with Argile, both companies are small brands dedicated to creating the highest quality product, providing exceptional service and ultimately share a love of colour.

In January whilst preparing for Maison, Edison popped by Argile’s fabulous headquarters in Paris to to meet the team and collect the paint for our Maison stand, a shrine to colour!

Learn more about the Argile story here

 


Share this post

Edison’s Picks from Maison & Objet Hall 8

We love to report back on favourite spots and trends from interiors exhibitions, especially Maison & Objet Paris.

We’ve been regular exhibitors at Maison every January for the past five years launching Deirdre’s new rug collections.

This year we’re showcasing neighbouring stands at our new location in Hall 8, the ‘Forever Signature’ Hall, which featured an array of high-end furniture, china and bedlinen brands.

Edison captured some of the things which caught his eye over the five days.

Practical and Beautiful. The superbly tactile, curves of hand-turned walnut in the sculptural VERTIGO coat hook by Nomon designed by Stefano Bigi 

Murano glass brought bang up to date with bold detail and vibrant colours on the Carlo Moretti stand.

Incredible matt black glass vases by Guaxs

The trippy perfection of the Emanuel Ungaro Home stand.

Created by the perfect combination of color, energy and shape, Souk mirrors reflect the influences of overwhelming and visually fascinating Souk markets in northern Africa with its vibrant fringes and earthy colors resembling typical macramé techniques, spotted on the Dooq stand.

Fun gin bottles on the Sieger by Furstenberg stand who employed a Mixologist to create delightful cocktails in their wonderful crystal!

Brand new colour variations and a different take on cut glass in these lamps by Vista Alegre