TRANSPARENT was designed from Deirdre’s observations of a vase with various shapes and colours in the glass.
UNITED IN CRAFTSMANSHIP…
For more than 270 years, FÜRSTENBERG has been producing finest hand-crafted porcelain with passion and precision. Similarly, Deirdre Dyson’s award-winning carpets rely on craftsmanship, being either hand-knotted in Nepal by Tibetan experts, rendered in the finest Tibetan wool and pure silk.
…AND IN DESIGN
The pastel tones and graphic design elements of FÜRSTENBERG’s SHIFTING COLORS and DEIRDRE DYSON’s TRANSPARENT rug create a perfect match.
Combining both collections within a contemporary interior allows to create a unique design symbiosis.
Part two of Edison’s blog post on behind the scene facts about the unique and timeless quality of your bespoke hand knotted rug.
Your Carpet could be an antique of the future.
Our carpets are made to the highest standards and are heirloom quality pieces that will be enjoyed and appreciated as much in the future as they are today. As a trained artist, Deirdre Dyson approaches every design as a work of art, each being able to compliment the breadth of different interior styles and trends. Hand knotted carpets also hold their value very well.
Quality materials make a quality product.
Quality is key. From Deirdre’s initial ideas and design sketches, to the materials employed and the skill of our weavers and London team, we make sure that only the best factors and considerations are invested into creating carpets for your home and interior space.
A design consultancy service is available at our London gallery which is located in the heart of the Chelsea Design Quarter. We are here to assist and guide you in making the right choice and using the best combinations of materials and colours (from 5,000 available colours).
The Tibetan wool used in our carpets are rich in natural oils, making them not only soft and naturally stain resistant but also very hardwearing. The superior Chinese silk that is incorporated into many of our designs is smooth, cooling and full of vibrancy.
“Time is what we want most…and what we use best”.
Okay, so we’ve adapted the old saying by William Penn, but we think it describes our work ethic well, as every carpet creation requires time and consideration.
The design process in adapting and creating designs for our clientele takes as long as it takes to make our customers dream a reality but generally from sign off, a carpet will go into production and be ready within 3-4 months (as a general guide to lead time). We use the latest design technologies available in the carpet industry and for every carpet we make, a full-sized graph of the design is produced and hung from the back of the loom, for guidance precision. These graphic sheets look like works of art in their own right and are protected to ensure that they can’t be copied or reproduced elsewhere. We take copyright infringement very seriously
The finished carpet, hand knotted in graded wool with silk
At Deirdre Dyson carpets limited, we want to share with you as much useful information as possible, so our website is full of valuable tools, tips and advice. Take a look at the current collection or browse our extensive catalogue in the design library section. We’ve made finding a suitable design very easy. Our price calculator will help you cost up a design as well as offer some useful information on sizing. Please remember that nothing is set in stone as all of the designs available are bespoke and can be adapted which may affect the sqm price.
Why not take a closer look at the production process on our video links and find more information about Deirdre herself and what we’re generally up to by visiting the profile and blog pages which are regularly updated.
As an entirely bespoke product, no two designs will ever be exactly the same, whether hand knotted or gun tufted, Deirdre’s carpets are made to last and the ancient processes involved in their manufacture take time.
Each year Deirdre creates a new themed rug collection, but these designs are just the starting point, Deirdre Dyson rugs are infinitely customisable – colours, size, composition and the design itself can all be altered to suit a client’s exact requirements.
Whether Deirdre’s colour choices are perfect for your scheme or if you want to create your custom version of a rug design, the process remains the same and the result is a luxurious, heirloom quality rug or carpet of your own.
THE CREATION OF A COLLECTION:
Deirdre’s carpets begin with a simple, hand coloured, pencil drawing.
Over the year’s Deirdre has sought inspiration in nature, the sky, sea and shoreline, stones, flowers, leaves and trees to the abstract – geometric and organic forms or the refraction of light.
Working with her Designer Nichola to digitise the design, together they refine it if necessary and add Deirdre’s carefully selected colours to precisely match her vision for that rug.
Colour is of course key. Deirdre selects from over 5,000 colour poms in wool and silk – her ‘paint box’.
This is a considered process, where the colours are observed in different lights and times of day to accurately reflect their relationship with each other and realise Deirdre’s concept perfectly.
Deirdre’s eye for colour is fundamental – as a Fine Artist she has both the innate skill and technical knowledge to find just the right juxtaposition of colours or the perfect tones to create an intricate colour grade (the subtle change of colour from dark to light as seen in rug designs such as EAGLE pictured below)
Digitally colour matching Deirdre’s pom selection is a highly skilled task, Nichola has worked with Deirdre for almost twenty years and no amount of technology can mimic her colour matching abilities, which again can take days to refine, dependant on the hours of daylight available and how the colours appear in different lights, both on screen and in print.
Nichola’s accurate digital versions of the rug designs are stored for future adaptation and exact colour-perfect print versions are approved by Deirdre (or a client) before manufacture.
Once the design is finished to Deirdre’s exacting standard, it is sent to our trusted weavers in Nepal or, if gun tufted in 100% wool, to our manufacturers in Yorkshire.
We have long standing relationships with both and Deirdre has a strong, personal rapport with each. Communicating new design ideas involves close discussions regarding the technical elements involved.
Gun tufting is by far the quicker option (though no less careful and considered) and generally the suggested method of production for commercial projects or areas with higher footfall.
Given the limitations of tufting however, not all designs are suitable for this type of manufacture.
As with hand knotting quality control is paramount, with colour meticulously matched and designs executed to millimetre perfection.
However, Deirdre Dyson is primarily known for her hand knotted rugs and has built her brand’s reputation on their luxurious quality.
The vast majority of bespoke rugs and all collection carpets are hand knotted by our weavers in Nepal using traditional techniques which are indigenous to the area and have been passed down through the generations.
Hand knotting creates a dense, luxurious pile but allows for the finest of detail and subtle colour transitions which are impossible to replicate by machine.
The art of hand knotting not only takes skill and patience, it involves age old techniques and tools which have remained unchanged over centuries.
Climate is crucial to the process, as heat and sunshine is essential; from fixing dyes to drying and stretching the finished carpet, therefore the Monsoon season from June to August prolongs production time.
Additionally, weavers observe religious holidays and don’t work during these periods (particularly in January and February) Ultimately these carpets are intrinsically linked with Nepalese traditions and the Nepalese way of life.
Deirdre Dyson is a long-time partner of Goodweave ensuring no child labour is involved in rug making and that the highest level of work practices and standards are maintained for weavers and their families.
All Deirdre’s chosen colours are colour matched exactly, amazingly this is all done by the highly skilled dye master by eye.
The dye master mixes scrupulously measured quantities of pigments to create accurate dyes. The hand carded Tibetan wool and Chinese silk is then turned by hand in vats of the dye until precisely the right shade is achieved.
The dyed yarn is then allowed to dry naturally. As it dries the heat of the sun fixes the dye which is then spun by hand to the correct ply and thickness.
Meanwhile, exact mapping of the design has taken place to create a template which hangs above the loom from which the weavers work.
This intricate graph carefully maps the position of every knot and colour change within the design, all painstakingly reproduced from Deirdre’s original and replicated by the weavers by eye.
The hand knotting process itself is incredible to watch, the speed and dexterity of our weavers is truly astonishing, especially where there are complex grades (such as SEA WASH pictured on the loom below) or intricately detailed carpets with fine lines (such as PLUMES)
The weaver’s create knots on the vertical ‘warp’ threads using a metal rod, an incredible 100 knots fit the area of a postage stamp which gives an indication of the intricacy involved.
Once a row is complete it is hammered tightly on to the row below and the yarn is cut to create a rough pile.
When weaving is complete, each carpet is carefully washed, stretched and dried in the open air then precisely trimmed by hand to the correct pile height.
The fascinating and intricate carving process then takes place, where specific design elements are carefully clipped around to create definition.
Finally, the carpet is bound around the edges with matching yarn and our leather Deirdre Dyson label is attached.
Once approved, the carpet is then ready for packing and shipping back to our gallery in London.
A standard size rug will take approximately 14-16 weeks to complete from artwork sign off – with the production time rising depending on size and complexity of design.
Each element in the creation of your rug involves skill and a level of precision which cannot be rushed, this is ultimately an artisan process assisted by technology but not necessarily expedited by it.
The crucial elements of rug design and making are slow and considered and stand out in our world of mass production and instant gratification, the wait is worth it and the result is of the highest quality and designed to last a lifetime.
We love revealing Deirdre’s new rug designs at Maison & Objet every January but by contrast, Deirdre’s annual UK collection launch, held here in the intimacy of our Kings Road gallery, is by far the highlight of our year.
The evening gives Deirdre a chance to catch up with valued friends of the brand as well as clients old and new and introduce her carpets in person whilst guests can touch and feel the incredible quality of the finished designs, see the lustre of the silk and the true colours which are always best viewed ‘in the flesh’.
This year’s collection inspired by the hues and patterns of birds and their feathers, is a riot of colour and contrast and provoked much admiration and discussion. As did Deirdre’s first carpet artwork, UNBOUND, created in a limited edition of three and intricately handwoven in 32 colours of wool and silk.
UNBOUND was recently included in The Luxury Cave launch event at the Design Museum and was so overwhelmingly well received that Deirdre is now working on another limited-edition wall piece, more details to be revealed soon.
Flowers by Clayton at Strudwick Flowers provided the perfect backdrop to the evening’s festivities. Deirdre had requested natural arrangements with fluid forms reflecting the designs on display and Clayton fulfilled this brief perfectly, picking up the reds in both HARLEQUIN and UNBOUND on the first floor and the golden and buttery tones of GOLDEN PHEASANT and BURLESQUE on the ground floor.
This year guests enjoyed lavender cocktails selected by Edison to compliment the purple found in Deirdre’s new QUILLS rug design, Champagne and Dyson wine together with delicious canapes by Aquashard such as mushroom arancini, steak tartare and mini fish and chips. Guests were extremely well looked after by Aquashard’s John Wiltshire and his team.
The gallery, designed by Architect Timothy Hatton (pictured) comes in to its own at night and the wonderful atmosphere led to a very special evening celebrating another stellar rug collection by Deirdre.
Last month Deirdre joined a host of hand-picked luxury interiors, fine art, couture and automotive brands exhibiting at ‘Curation of the Finest’, a collection of rare and one-off contemporary collectables and objects, showcased by Luxury Cave at London’s Design Museum.
Deirdre Dyson in front of her UNBOUND limited edition carpet artwork.
Luxury Cave‘s aim is to ‘present a new viewpoint of luxury that focuses on objects that speak of craftsmanship, emotion and investment of time.’
Deirdre Dyson’s carpets fulfil this brief perfectly – the combination of Deirdre’s sketches and colour selection realised as carpets through the age-old craft of hand knotting by artisan craftspeople and the bespoke process, cannot be rushed, assisted by but impervious to technological advances. This is slow design at its finest.
Deirdre was excited to create and unveil her first ever Carpet Artwork exclusively for the event.
The ultimate expression of her background as a Fine Artist and Carpet Designer – UNBOUND will be created in a limited edition of three (the first of which is available to purchase exclusively via the Luxury Cave website)
Deirdre took inspiration from ‘the rising steps to freedom and breaking away from the ties that bind us’ and the piece is a joyous juxtaposition of colours hand knotted in wool and silk.
Deirdre also exhibited her intricate PLUMES carpet from this year’s PLUMAGE Rug Collection, bespoke versions of which will also be available exclusively through the Luxury Cave website for the next three months.
Deirdre Dyson’s PLUMES carpet on exhibit at the Design Museum, London
PLUMES is a masterly intricate carpet design of interlocking feather barbs on a deep navy background with striking turquoise tips, the fine detail of which posed a real challenge to our incredibly skilled Nepalese weavers.
Both pieces, as with all Deirdre Dyson carpet designs, are Goodweave certified.
Other exhibitors and curated objects included Fine Jeweller Fabio Salini, fine art by Lucio Fontana and Alighiero Boetti, the intricately embroidered handbags of Parisian Designer Carole Tessier’s label ‘Preciously Paris‘, Auto Fabrica, Furniture by Studio Drift, Thomas Heatherwick and Pinto Paris, the Aston Martin Lagonda and Fashion Designer Mary Katrantzou celebrated the 10th Anniversary of her brand as part of the event.
Luxury Cave’s Chanda Pandya and Darren Miller with Fashion Designer Mary Katrantzou in front of Deirdre Dyson’s UNBOUND artwork and PLUMES carpet.
Deirdre is a huge fan of the Parisian paint brand Argile, and has used Argile paints in her interiors for several years.
As a colourist, the ‘trueness’ of a hue on a given surface is key to Deirdre , and this quality of colour is paramount to Argile.
Founded in 2006, Argile was born of the encounter between an entrepreneur and paint expert, Jean Frédéric Nothomb, and a colour specialist, Pierre Bonnefille. The idea was to offer a premium range of paint products to architects, decorators, set designers and all those who have an interest in decoration, whether professionals or private individuals.
Their philosophy is to draw inspiration from the colours of nature and their challenge to manufacture a range of the highest quality colours on an industrial scale, coupled with exceptional service.
Argile take inspiration from the sky, sea and landscape, Argile translates as ‘clay’ referring to organic nature of their colour inspiration as well as the raw materials of their paint.
Argile’s palette of 184 glorious colours work in harmony to create an exceptional finish.
Argile paints are now found in historic properties, such as the Louvre and the Grand Palais in Paris, as well as luxury hotels such as the Connaught in London and the Hoxton in Amsterdam, and in the interior design of countless traditional and contemporary homes.
When it came to designing our stand for this years’ Maison et Objet interiors exhibition, Argile’s colour chart was Deirdre’s first port of call, from which she selected the perfect backdrop for each of the eight new rug designs on display.
The earth colours of ‘grivele’ worked perfectly with QUILLS and FEATHER BOUND, ‘gres’ provided the perfect backdrop to the magestic EAGLE , ‘bleu burlington’ brought out the turqouise feather tips in PLUMES and also provided a foil for the vibrancy of GOLDEN PHEASANT and BURLESQUE, whilst ‘ardoise bleue’ set off the stunning tones of MANDARIN and HARLEQUIN.
Every Deirdre Dyson rug design starts as a drawing and is hand coloured by Deirdre. The designs are then faithfully translated to a digital format in our studio in order to be mapped by our Nepalese weavers and finally woven by hand. Colours are matched from a selection of over 5,000 wool and silk poms.
Deirdre’s background as a Fine Artist and innate sense of colour guides every design. The best way to understand the evolution of the creative journey; from concept to the finished carpet, is through this film created by Deirdre’s long-term Photographer, Colin Peacock.
With each new collection, Colin adds to this visual archive creating a unique record of Deirdre’s design process and acknowledging just how faithful the finished carpets are to Deirdre’s initial sketches.
Where possible, Colin has included Deirdre’s original inspiration, be it a stone or seascape, which tells the backstory for each featured design; however abstracted the finished article.
Enjoy this carefully crafted footage, which will be updated soon with Deirdre’s 2019 collection.