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SKYSCAPE WINS FOR INNOVATION!

We are thrilled to announce that Deirdre’s epic SKYSCAPE rug design has won the Innovation Award at the annual Campaign for Wool British Wool Wool Carpet and Rug Awards at The Flooring Show!

SKYSCAPE has been one of the most popular designs in this year’s collection and one Deirdre is really proud of!

The design uses a palette of 20 colours in wool, silk and a wool silk mix to cleverly recreate a sky at sunset.

The rug is a testament to Deirdre’s unparalleled eye for colour and the complex colour grading on this hand knotted carpet (measuring 5M x 2.35M) showcases the incredible skill of our Nepalese weavers.

Congratulations to all other winners and Finalists! Full details of other winners here

 


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CDQ Autumn Event Collaboration with Stephenson Wright and Jan Erika revealed

We are huge fans of Interior Designers Stephenson Wright whose combined attention to detail, eye for colour and refined aesthetic translate their clients needs and requirements into beautiful homes.

Juliette and Natalie recently expanded their portfolio to include bespoke furniture design and have created a capsule collection which launched at this year’s Decorex.

Some of these beautiful and functional pieces such as their Plink and Plonk occasional tables and Barrel stools, are uniquely customised by Artist Jan Erika.

Jan is a prolific artist whose bold graphic style works brilliantly with these classic contemporary Stephenson Wright designs.

We love to celebrate all things handmade and bespoke and the launch of Chelsea Design Quarters Designers page, a directory of local Interior Designers celebrated by the CDQ Autumn Event allowed us to showcase the exceptional talent of Stephenson Wright and Jan Erika with Deirdre’s bold and vibrant MANDARIN wool and silk rug.

Edison’s concept of double height banners making the most of the gallery’s atrium ran to 19m and Jan’s bold ‘Zebramane’ brushstrokes create an eye catching backdrop for Deirdre’s rug from this year’s PLUMAGE Collection and Jan’s customised tops for Stephenson Wright’s Plink and Plonk tables, their black scalloped bases reflecting the monochrome banners and black detailing in Deirdre’s rug design.

The CDQ Autumn Event culminates in the CDQ Raffle on Thursday 21st November with an exclusive event at Tom Faulkner.

By purchasing a ticket you support the invaluable work of homeless charity Glass Door and get the chance to win a selection of superb prizes donated by CDQ members such as a night at The Bath Priory on a revolutionary Ammique bed, a Martin Brudnizki Studio light donated by  Drummonds Bathrooms a Baby Soho Drum stool by George Smith, door knobs from Haute Deco , Stephenson Wright limited edition gin bottle customised by Jan, a Lily Cocktail table by  Tom Faulkner Tickets can be purchased here

 


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From Concept to Carpet

Every Deirdre Dyson rug design starts as a drawing and is hand coloured by Deirdre. The designs are then faithfully translated to a digital format in our studio in order to be mapped by our Nepalese weavers and finally woven by hand. Colours are matched from a selection of over 5,000 wool and silk poms.

Deirdre’s background as a Fine Artist and innate sense of colour guides every design. The best way to understand the evolution of the creative journey; from concept to the finished carpet, is through this film created by Deirdre’s long-term Photographer, Colin Peacock.

With each new collection, Colin adds to this visual archive creating a unique record of Deirdre’s design process and acknowledging just how faithful the finished carpets are to Deirdre’s initial sketches.

Where possible, Colin has included Deirdre’s original inspiration, be it a stone or seascape, which tells the backstory for each featured design; however abstracted the finished article.

Enjoy this carefully crafted footage, which will be updated soon with Deirdre’s 2019 collection.

 

 


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Deirdre Dyson’s inspiration for the LOOKING GLASS rug collection

Deirdre’s 2020 collection has just launched at Maison et Objet, Paris.

These hand knotted designs were inspired by Deirdre’s observations of colours and forms through glass, glass objects and water.  Nine new designs take her carpets in an entirely different direction.

Read all about Deirdre’s inspiration for each carpet in the LOOKING GLASS Collection here in her own words:

Last summer I found myself mesmerised by everything I could see through glass and water, particularly on holiday where the sun made everything glitter.

I decided to try to make my designs seem ‘glassy’ even though I was working in wool!  If I failed, I might create something unexpected – I love the challenge of the unknown result and you only discover if you explore.

GLASS CUBES

I started with two little rectangular vases of different colour, photographed them and analysed the colours they created when they were overlapping each other.

I designed two simple geometric shapes representing the cubes and inserted the exact colours from my palette of wool poms to represent where the two colours overlapped which gives the illusion of looking through glass.

I finished the piece with wide silken borders to add the shine and glitter of glass.  I was hugely surprised and excited at the finished carpet which really looked glassy and also very three dimensional.  This encouraged me to explore several different ideas about glass.

SLIVERS

The next attempt led on from this overlapping idea.  I didn’t even need real glass, I just created four shapes, selected four colours and overlapped them creating the colour I imagined would occur if they existed.

What made this carpet successful was the grading I decided to do within each piece.  I had to select about 8 grades of each colour to grade from dark to light, and from the outside in, to give the illusion of seeing through the glass.

This was the first time that we had tried to grade within a random shape which was very difficult to specify for our craftspeople and a new challenge for them too.  Again they succeeded and have given me a new skill to work with in the future.

TRANSPARENT was designed from an existing vase with various shapes and colours in the glass.

I created my own shapes and colours and again looked for the overlapping colours that I knew would occur.  Because the inspiration was a vase I added some silk highlights to represent light against the outside of the vase.  Each of these highlights was a paler colour of the colour underneath.

LIGHT FRAGMENTS

I have a very simple water flask and thought of two different things that I could do with it.  One was to paint exactly what I could see inside through the water which were random abstract shapes and colours which looked distorted and bent through the water and also to add highlights again of paler colours and in silk as seen on the outside of the vase.

LOOKING THROUGH

The second idea was to paint what was behind the vase ie. boat rigging and blue cushions with reflections on a shiny table and then paint the distortions of these within the flask without drawing the outline of the flask.  I knew from exercises in my student days that without trying, the flask would slowly appear and it did, and it does in the carpet, although I made the colours within the flask a tiny bit paler to help it reveal itself.

 

FLOATING GLASS

Being on a boat made me think of all the bits of worn glass that we often find washed up on beaches so another idea was to include chinks of floating glass in a flowing, watery setting.

LIGHT BETWEEN

I had used a great deal of colour in the collection so finally decided to do some monochromatic grading with a path of light and two simple glassy bars in silk that you feel you can see through as they pass over the greys and light between.

This was an accidental idea caused by placing a plain glass bowl, which had a glass ball as its base, on top of a patterned glass plate.  This created a magnification which I decided to represent in silk with just a tiny lightening of the colour inside the area.

STAINED GLASS

On a visit to the Amalfi Cathedral and in one of the small rooms at the back behind all the magnificence of marble and gold was a small plain window high up with beautiful, simple pale colours.  The light behind it made it impossible to photograph but the colours stayed in my mind and I thought that in silk, it might make a lovely wall hanging for a windowless room.
Click here to view all Deirdre’s new designs online or contact us to arrange a viewing of the new collection at our Kings Road gallery.

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“I can sing a rainbow…”

Read on for Edison’s festive advice using Deirdre’s STREAMER rug designs.

As reported in House Beautiful and according to John Lewis, this year’s biggest Christmas decoration trend is to go full-out rainbow. Yes, think Joseph and his hyper-technicoloured dream-coat, think Wizard of Oz in HD, think saturation spectrum overload.

This may be not be to everyone’s taste, but hey, Christmas is about having fun after all.

Our STREAMER design in either colourway, would be a great companion to your rainbow inspired room. Linking up larger pieces of furniture and accessories by using just a limited colour palette, will give your decorations more impact.

Pair the STREAMER carpet with a grey sofa such as this velvet beauty from Swoon, for deep seated luxury.

Just add some colour coordinated cushions to complete the look.

Red graded option, Simon Key Bertman. Blue velvet option, Faversham by Mercer41

To get your tree looking its best, try decorating with this delightful box of glass baubles from John Lewis.

For additional visual warmth group some gold candlesticks (H&M Home) and add to them hand-drawn, coloured candles from Shearer.

When Christmas is over and those festive decorations are all packed and boxed away, your Streamer carpet can have all the attention back. Paired with an Onda curved glass coffee table from glassfurniture.co.uk will accentuate the curves of the flowing ribbons.

The red and grey version of STREAMER is featured in the sample sale.

Visit our website to take advantage of on-going sale offers, with an additional 5% taken off all sale prices from now until December 22nd, 2018.

 

 

 

 

 

 


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Bespoke Carpet Art for Walls

In recent years Deirdre Dyson has experimented more and more with hand knotted wall art and wall hangings, using the same principles of fine art which she applies to her carpet designs.

Common practice in Medieval times, hanging carpets and textiles has become an increasing contemporary trend and bespoke carpets accepted as artworks in their own right – equally enjoyed on the wall as the floor.

Easily transportable for renters wanting to inject personality into sparse apartments, wall hangings can instantly add colour and warmth to a large surface area with the additional advantage of the acoustic properties of dense pile against wall.

Wall panels create the perfect focal point.  This is a version of Deirdre’s visually striking GLASS CUBES design, recreated here as a runner and hung to draw the eye on this rough stone wall.

Clever lighting from above and the side emphasise the silk panels which juxtapose satisfyingly with the stone surroundings adding an unexpectedly luxurious feel and relieving what could otherwise be a cold, austere space.

For this lifestyle image from the current collection Stylist Louisa Grey took the full-size version of GLASS CUBES and used it as a backdrop on a pink painted brick wall.  Again, careful lighting highlights the vibrantly coloured silk panels and enhances the 3D quality of Deirdre’s design adding depth and interest to an otherwise dead space.

In this image Deirdre’s STAINED GLASS runner, hand knotted in 100% silk and inspired by a stained glass window in Amalfi Cathedral, is hung high to emphasise the highest point of this vaulted room, drawing the eye upwards.  Here also, there is the satisfying contrast of silk against stone.

Ironically, given its inspiration, the panel creates an alternative ‘window’ in this otherwise windowless dining space.

Deirdre’s LOOKING THROUGH is a really clever design.  The inspiration isn’t immediately obvious on the floor but when hung the rug creates an impact when the abstracted form of a water filled flask is revealed – as Deirdre says I knew from exercises in my student days that without trying, the flask would slowly appear and it did, and does in the [finished] carpet.

Any of  Deirdre Dyson’s rug designs can be redeployed as wall hangings – we generally recommend lowering the pile height to reduce weight and make hanging easier.

Practically, hanging solutions range from the unobtrusive (high strength Velcro) to making a feature with a hanging rail (such as the wrought iron rails used in the first two images) Framing is achievable for smaller panels where weight isn’t an issue such as 2019’s UNBOUND (pictured below).

The options are endless – as wonderful as Deirdre’s bespoke rugs are underfoot why not try them on the wall?


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BESPOKE FITTED AND FREE-STANDING CARPETS FOR A GEORGIAN TOWNHOUSE MAYFAIR, LONDON

A bespoke hand knotted version of UP AND OVER

Lady Deirdre Dyson was commissioned to create fourteen contemporary carpets – six hand knotted, free-standing rugs and eight gun tufted, fitted carpets together with a stair runner over four floors for this 18th Century listed Georgian townhouse.

The house, actually two adjoining properties, was restored and repurposed by Alexander Martin Architects (AMA) for use as private offices in Mayfair, London.

The brief required Deirdre to design a total of 350 square metres of highest quality wool and silk floor coverings for the entire property.

The incredible gun tufted 100% wool graded carpet created for the oak barley twist staircase.

Materials throughout the building were selected for their timeless quality, echoing those present in the original building. A palette of natural oak, stone and pale grey provides a backdrop for the bespoke Deirdre Dyson carpets used throughout.

The expanses of wool and silk used in the rug, carpet and runner designs sit perfectly with remaining original features and the stark modern interior application in the office spaces on the upper floors.

The central oak barley twist staircase is dramatically hugged top to bottom by a stair runner that creates a sense of movement with graded hues that flow from dark to light (pictured above)

A bespoke gun tufted, fitted version of  TWILIGHT in one of the top floor office spaces.

Through her use of bold geometric designs, Lady Dyson developed a scheme to bring contrast and complimentary accent colours which define and enhance the individual rooms. A total of fifty separate colours were used across the project with some carpets having up to sixteen colours alone.

A bespoke hand knotted version of SCATTER

The carpets give each room a separate identity and interest but Dyson has connected the spaces using a similar colour palette, often through the use of colour grading, adding personality with dramatic bursts of colour, be it a bold blue or vivid terracotta. All working in tandem with remaining original features and the architect’s contemporary reworking of the building.

A bespoke hand knotted version of SEAWASH

In some cases, Deirdre’s designs reference the building directly such as a version of her DAWN carpet design, its dramatic copper silk stripes echoing the copper cladding in the garden outside.

Deirdre Dyson’s bespoke hand knotted DAWN carpet in the Garden Room.

A bespoke hand knotted version of OPTIC

The scale of these carpets created challenges for both our weavers in Nepal (in some cases measuring up to 5m square)  and the skilled tufters here in the UK as well as specialist fitters but a close, collaborative team effort realised Deirdre Dyson’s vision to stunning effect.

The project featured in  an extensive editorial feature in Wallpaper* magazine, click here to read.


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FROM LOOM TO ROOM…Part Two

Part two of Edison’s blog post on behind the scene facts about the unique and timeless quality of your bespoke hand knotted rug.

Your Carpet could be an antique of the future.

Our carpets are made to the highest standards and are heirloom quality pieces that will be enjoyed and appreciated as much in the future as they are today. As a trained artist, Deirdre Dyson approaches every design as a work of art, each being able to compliment the breadth of different interior styles and trends. Hand knotted carpets also hold their value very well.

Deirdre Dyson LOOKING THROUGH (wall) and FLOATING GLASS  (floor) bespoke hand knotted wool and silk rugs. Copyright Deirdre Dyson Carpets Ltd

 

Quality materials make a quality product.

Quality is key. From Deirdre’s initial ideas and design sketches, to the materials employed and the skill of our weavers and London team, we make sure that only the best factors and considerations are invested into creating carpets for your home and interior space.

A design consultancy service is available at our London gallery which is located in the heart of the Chelsea Design Quarter. We are here to assist and guide you in making the right choice and using the best combinations of materials and colours (from 5,000 available colours).

The Tibetan wool used in our carpets are rich in natural oils, making them not only soft and naturally stain resistant but also very hardwearing. The superior Chinese silk that is incorporated into many of our designs is smooth, cooling and full of vibrancy.

Deirdre Dyson Exclusive Carpets and Rugs
Deirdre Dyson Exclusive Carpets and Rugs

“Time is what we want most…and what we use best”.

Okay, so we’ve adapted the old saying by William Penn, but we think it describes our work ethic well, as every carpet creation requires time and consideration.

The design process in adapting and creating designs for our clientele takes as long as it takes to make our customers dream a reality but generally from sign off, a carpet will go into production and be ready within 3-4 months (as a general guide to lead time). We use the latest design technologies available in the carpet industry and for every carpet we make, a full-sized graph of the design is produced and hung from the back of the loom, for guidance precision. These graphic sheets look like works of art in their own right and are protected to ensure that they can’t be copied or reproduced elsewhere. We take copyright infringement very seriously

 

Deirdre’s original sketch for GOLDEN PHEASANT

Digital version of Deirdre’s original design

The finished hand knotted version of GOLDEN PHEASANT.  Copyright Deirdre Dyson Exclusive Carpets and Rugs

The finished carpet, hand knotted in graded wool with silk

At Deirdre Dyson carpets limited, we want to share with you as much useful information as possible, so our website is full of valuable tools, tips and advice. Take a look at the current collection or browse our extensive catalogue in the design library section. We’ve made finding a suitable design very easy. Our price calculator will help you cost up a design as well as offer some useful information on sizing. Please remember that nothing is set in stone as all of the designs available are bespoke and can be adapted which may affect the sqm price.

Why not take a closer look at the production process on our video links and find more information about Deirdre herself and what we’re generally up to by visiting the profile and blog pages which are regularly updated.

Deirdre Dyson EAGLE hand knotted graded wool and silk rug. Copyright Deirdre Dyson Carpets Ltd.

 

 

 

 

 


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NEW COLLECTION LANDING AT MAISON!

We can’t wait to reveal the new rug designs Deirdre Dyson has created for her 2019 PLUMAGE collection.

With an intuitive eye for colour, Deirdre cleverly combines the bright shades (violet blues, cherry red, slate blue, black) and abstract markings of a pretty male sea duck for her HARLEQUIN design.

EAGLE  (pictured) is an impressive 3.4 metres wide, depicting the magnificent wing span of this majestic bird – the large scale allows Deirdre to include intricate feathery detail and create a spectacular three-dimensional effect through directional colour grading.

Other designs, such as the rich colour palette of GOLDEN PHEASANT, accurately reflects the beautiful tones of this quintessential British bird.

Deirdre’s practice as a fine artist allows her to expertly combine colours to create a beautiful composition that will enhance any surface and interior, as she skillfully captures the shimmer of the natural oils of a feather through the use of gorgeous silk against a luxurious wool background.

Deirdre says:

In this collection I have delved deep into the feathers of pheasants and abstracted designs of ducks.  I singled out some feathers and enfolded carpets with others.  Together they make a varied collection of colourful drama and soft luxury.  In creating them, our brilliant craftspeople have succeeded with the most difficult technical challenges I have ever set them.”

Be the first to see the new collection unveiled on 18 January 2019 at the prestigious Maison et Objet interiors exhibition in Paris, in Hall 8 ‘Forever Signature’, stand A32.