We’ve focused on creativity and staying #INspired during lockdown. Deirdre has also been busy, using this time at home to work on next year’s rug collection.
Initially started at the London Gallery and continuing from her studio at home, Deirdre always begins work on new collections in February/March, nearly one year ahead of launch, at January’s Maison et Objet Paris. In this sense lockdown couldn’t have come at a better time. So without giving too much away here is a sneak peak of what is to come.
Having to be just as resourceful during these difficult times, Deirdre decided to find inspiration away from the natural world, focussing on the ‘inside’ rather than the ‘outside’ and using an everyday material, that is to hand.
Deirdre is exploring this simple idea in depth, to see how much variation can be made from it whilst still being recognisable for what it is, with particular emphasis on form, texture, light and shade.
Having briefly explored this in the past, Deirdre Dyson has found another opportunity to rediscover ways in which to manipulate the material into interesting designs and forms for development.
A deviation from past collections, 2021 will focus on the ‘beauty of simplicity’ in a world that has now become rather more complicated.
All will be revealed next year but in the meantime these inspired new designs are soon to be woven by our skilled Nepalese craftspeople observing social distancing and we’re excited to unveil them at Maison in January next year.
Creative inspiration comes from myriad sources. Taking our lead from a recent article in Dezeen, we’re having an alternative look at inspiration on screen – exploring what music videos act as a creative spur to the Deirdre Dyson Kings Road team.
I love the resonance of Lana Del Ray’s voice and her unconventional beauty often mixed with an orchestral backdrop. It’s a style of music that makes you feel dead and alive at the same time, that is both distinctive and unique.
I find her video for the song “Young and Beautiful” so inspiring.
It is highly influenced by the ‘Toccata and Fuge in D Minor’ scene from Disney’s ‘Fantasia’. The overlap of colours, the silhouettes, shadows and the play on dark and light both in the foreground and background. It reminds me how important lighting is to any interior and how it can either make or break a space and ambience. Lighting is so often overlooked in interior design and remains such an important element in creating atmosphere and drama. I love the understated luxury elements of her make up, hair and jewellery and the grandiose styling, amplifying height, scale and space. It all works so beautifully in combination with her voice.
Deirdre’s LIGHT BETWEEN design evokes the style and mood of Lana’s video perfectly.
This video is really clever – it’s set in one room but contains a multitude of vignettes in a tiny space.
Of course this is a set but I’ve always been intrigued by the way houses in cities like London are carved up into interesting living spaces, bursting with character and how cleverly people craft these corners into individual homes.
The turn of this stairs hints to more and forms a crucial link in the story as well as making you to want to explore this spare little space as it transforms over the course of the song. The ‘illustrated’ version of the room is inspired.
I really love colour pops and think the way the colour blue threads through the spot is inspired, from the metallic indigo on the first shot of the guitar pick ups through to the the paint dripping from the stars to the minimalist canvas flooding with Yves Klein blue, a colour favoured by Deirdre and used in a recent version of UP AND OVER.
The gold costume of the character sitting on the sofa at the beginning remind me of the colourways in Deirdre’s original version of UP & OVER shot with bold, gold panels.
I just think the aesthetic is fabulous, dark to light, surreal and common place all in a little studio or flat anyone could own.
The background of the video incorporates over 550 printers and numerous pieces of paper that were recycled later.
The patterns and spectrum of coloured paper used were stunning.
Right from the beginning I was drawn in by the brilliant use of white paper which then changed to a symphony of so many different colour combinations. It was surprising to see the contrast of subtle colours at the end of the video.
The speed and rhythm of the moving paper with the fabulous choreography of the band members works so well with the music.
I also liked how the band members were dressed in white which was such a contrast to the vivid backgrounds. Dancing whilst suspended in the air made the video even more unique.
All in all I found this to be very inspirational on many design levels – I could watch it again and again.
We thought Deirdre’s CHEQUERED carpet, graded in wool with silk was reminiscent of the aesthetic created by the graded grid of paper in Nichola’s chosen spot.