Created by the perfect combination of color, energy and shape, Souk mirrors reflect the influences of overwhelming and visually fascinating Souk markets in northern Africa with its vibrant fringes and earthy colors resembling typical macramé techniques, spotted on the Dooq stand.
Fun gin bottles on the Sieger by Furstenberg stand who employed a Mixologist to create delightful cocktails in their wonderful crystal!
Brand new colour variations and a different take on cut glass in these lamps by Vista Alegre
We were delighted when the British Consulate in Hong Kong chose Deirdre’s PLECTRUMS design as part of the interior scheme at the Consul-General’s residence.
The Consulate makes a point of showcasing British Designers and goods and we are thrilled to be in the company of well established British brands such as Liberty and Colefax and Fowler.
The Consulate’s representative selected Plectrums for the scheme and our Designer Nichola created a pair of oversized versions in a slightly different colour arrangement to Deirdre’s original colour choice.
They were then hand knotted in 100% wool in Nepal.
The rugs have been positioned to mirror each other, creating two distinct seating areas and look stunning on the parquet floor, blending brilliantly with the residences existing colour palette.
We love revealing Deirdre’s new rug designs at Maison & Objet every January but by contrast, Deirdre’s annual UK collection launch, held here in the intimacy of our Kings Road gallery, is by far the highlight of our year.
The evening gives Deirdre a chance to catch up with valued friends of the brand as well as clients old and new and introduce her carpets in person whilst guests can touch and feel the incredible quality of the finished designs, see the lustre of the silk and the true colours which are always best viewed ‘in the flesh’.
This year’s collection inspired by the hues and patterns of birds and their feathers, is a riot of colour and contrast and provoked much admiration and discussion. As did Deirdre’s first carpet artwork, UNBOUND, created in a limited edition of three and intricately handwoven in 32 colours of wool and silk.
UNBOUND was recently included in The Luxury Cave launch event at the Design Museum and was so overwhelmingly well received that Deirdre is now working on another limited-edition wall piece, more details to be revealed soon.
Flowers by Clayton at Strudwick Flowers provided the perfect backdrop to the evening’s festivities. Deirdre had requested natural arrangements with fluid forms reflecting the designs on display and Clayton fulfilled this brief perfectly, picking up the reds in both HARLEQUIN and UNBOUND on the first floor and the golden and buttery tones of GOLDEN PHEASANT and BURLESQUE on the ground floor.
This year guests enjoyed lavender cocktails selected by Edison to compliment the purple found in Deirdre’s new QUILLS rug design, Champagne and Dyson wine together with delicious canapes by Aquashard such as mushroom arancini, steak tartare and mini fish and chips. Guests were extremely well looked after by Aquashard’s John Wiltshire and his team.
The gallery, designed by Architect Timothy Hatton (pictured) comes in to its own at night and the wonderful atmosphere led to a very special evening celebrating another stellar rug collection by Deirdre.
Several months ago Interior Designer Andrew Thorne of Think Thorne commissioned us to create a hand tufted 100% wool version of Deirdre’s RHYTHMS design for the Grade I listed American Cemetery at Madingley in Cambridgeshire.
As part of a £4m refurbishment plan which has seen the construction of a new interactive visitors centre, Andrew was enlisted to design the interior of what was the visitor building but is now the cemetery’s reception area.
With a 1950s aesthetic (the cemetery was founded in 1956) Andrew has turned what was a sombre and functional area into a bright, light contemporary space whilst maintaining a reverent atmosphere.
Cleverly Andrew’s choice of ‘Rhythms’ echoes the shades of green in the mosaic mural on the back wall of the cemetery Chapel which is housed in the Memorial Building.
Edison’s concept of double height banners making the most of the gallery’s atrium ran to 19m and Jan’s bold ‘Zebramane’ brushstrokes create an eye catching backdrop for Deirdre’s rug from this year’s PLUMAGE Collection and Jan’s customised tops for Stephenson Wright’s Plink and Plonk tables, their black scalloped bases reflecting the monochrome banners and black detailing in Deirdre’s rug design.