We can alter any of our carpet designs to suit your specific requirements.
Runners are particularly popular and a great way to inject interest into a hallway, landing or stairs.
We’ve recently finished some commissions where our Designer Nichola has cleverly altered Deirdre’s carpet designs, creating particularly effective results.
For this project Nichola adapted ANGULUS and used the client’s chosen colour ways to create a really vibrant entrance runner for a solicitors office in London.
The client’s colour selection worked particularly well in this long form version.
RHYTHMS is one of Deirdre’s classic designs, incorporating her trade mark ribbons.
In this case the client chose a slightly lighter colour palette with the elongated copper ribbon trailing through the design.
In the example above the Interior Designer wanted to transform SAND TRAIL from the 2014 collection into a runner for a hallway.
As the name suggested SAND TRAIL was inspired by the patterns left by the sea on the sandy beaches of the stunning Archipiélago de las Perlas, near Panama, Central America and the extended pattern in the original colour selection looks spectacular.
There’s a festive feel to Edison‘s latest Interiors post.
Now that we’re in the run up to Christmas when there’s an abundance of all things sparkling and shiny in homes and shops across the land, what better opportunity to talk about two of my favourite interior design elements – GOLD and SILVER.
GOLD is immediately associated with luxury, particularly in the world of fashion and until recently not so much with today’s modern interiors.
In recent years, there has been a definite shift back to the more traditional luxury materials, particularly when used in an understated way.
Gold remains forever warm and familiar. It’s the perfect conduit in bridging different styles and influences.
Gold is also a comforting colour and an element that, when used correctly, can make a bold statement whilst remaining perfectly refined. Gold is now being given new and exciting applications in the form of furniture, accessories and sculpture.
I’ve selected some favourite interiors which use gold in particularly inspired ways.
This traditional, ebonised oriental day bed, as featured in House Beautiful, is set against a trompe l’oeil backdrop and is brought into the 21st century by means of the highly polished gold side table and muted side lamps.
The interior of designer Alfred Von Escher’s home and office in their Italian Palazzo (above) mixes modern and vintage industrial furniture, within a classical setting. The application of gold leaf on the mouldings of the walls and ceilings are subtle highlights that brings a sense of warmth into the space.
UK based interior stylist Louisa Grey (who styled our 2015 Collection lifestyle images) is a big fan of gold. Here, she uses it in a refined way adding warmth and visual interest into a fairly monochromatic interior by way of coffee table, side table and a vertical run of gilded wall sconces.
From super sleek and polished tableware to more rustic applications, such as leafing, gold is finding it’s way back into our homes and this time, for a more appreciated stay.
SILVER on the other hand can be used in abundance and works well even in the smallest of areas or when layered.
It can be introduced into a space using a wide range of materials and finishes, from matt to polished, from chrome to aluminium, silver leaf, mirrors and crystal.
It’s not just about using the actual colour, it’s also about creating references to silver and silver tones. Silver is the perfect colour for reflecting any light source within darker areas.
In this Hollywood Regency-style interior, the silver gilt lamp base is reflected back off the wall mirror and mirrored cube side table, keeping the space light and airy even when using larger sized decorative pieces and bold contrasting colours of the side chairs.
Our ODEON design would look fantastic here, working well with this style and space.
On the silver theme, our ORIGAMI carpet is another design that comes to mind, with the use of silver-grey silk panels against the richer aubergine wool background, it harps back to a bygone age of 1940’s glamour.
If you’re still undecided on whether to introduce silver or gold into your space, then why not consider using both?
It’s all about clever interpretation and here is a fine, functional, as well as sculptural example.
A modern classic vintage coffee table by Romeo Rega circa 1970s – it’s timeless, modern and elegant, just like silver and gold…
In his occasional interiors series Edison creates mood boards based on two carpets reduced in our Summer Sale.
Now that we’re into our sale period I’ve just taken a look at two of the latest designs that have been added to our ex display sale list. I wonder who will buy these gorgeous pieces of art for the floor?
Being bang on trend and both having a timeless appeal, here are two mood boards which take inspiration from the DAWN and FOREST MOSAIC designs.
Mood boards are great tools to help co-ordinate a look, piece together elements of a design or simply help you focus on a colour, theme or mood.
DAWN MOOD BOARD
“FROM CHARTREUSE TO MUSTARD, BOTH COLOURS WORK WELL AGAINST SHADES OF GREY”
FOREST MOSAIC BOARD
“WITH ELEMENTS OF ART DECO, THINK STRUCTURED GREEN FORMS WITH A TOUCH OF LUXURY”.
As an entirely bespoke product, no two designs will ever be exactly the same, whether hand knotted or gun tufted, Deirdre’s carpets are made to last and the ancient processes involved in their manufacture take time.
Each year Deirdre creates a new themed rug collection, but these designs are just the starting point, Deirdre Dyson rugs are infinitely customisable – colours, size, composition and the design itself can all be altered to suit a client’s exact requirements.
Whether Deirdre’s colour choices are perfect for your scheme or if you want to create your custom version of a rug design, the process remains the same and the result is a luxurious, heirloom quality rug or carpet of your own.
THE CREATION OF A COLLECTION:
Deirdre’s carpets begin with a simple, hand coloured, pencil drawing.
Over the year’s Deirdre has sought inspiration in nature, the sky, sea and shoreline, stones, flowers, leaves and trees to the abstract – geometric and organic forms or the refraction of light.
Working with her Designer Nichola to digitise the design, together they refine it if necessary and add Deirdre’s carefully selected colours to precisely match her vision for that rug.
Colour is of course key. Deirdre selects from over 5,000 colour poms in wool and silk – her ‘paint box’.
This is a considered process, where the colours are observed in different lights and times of day to accurately reflect their relationship with each other and realise Deirdre’s concept perfectly.
Deirdre’s eye for colour is fundamental – as a Fine Artist she has both the innate skill and technical knowledge to find just the right juxtaposition of colours or the perfect tones to create an intricate colour grade (the subtle change of colour from dark to light as seen in rug designs such as EAGLE pictured below)
Digitally colour matching Deirdre’s pom selection is a highly skilled task, Nichola has worked with Deirdre for almost twenty years and no amount of technology can mimic her colour matching abilities, which again can take days to refine, dependant on the hours of daylight available and how the colours appear in different lights, both on screen and in print.
Nichola’s accurate digital versions of the rug designs are stored for future adaptation and exact colour-perfect print versions are approved by Deirdre (or a client) before manufacture.
Once the design is finished to Deirdre’s exacting standard, it is sent to our trusted weavers in Nepal or, if gun tufted in 100% wool, to our manufacturers in Yorkshire.
We have long standing relationships with both and Deirdre has a strong, personal rapport with each. Communicating new design ideas involves close discussions regarding the technical elements involved.
Gun tufting is by far the quicker option (though no less careful and considered) and generally the suggested method of production for commercial projects or areas with higher footfall.
Given the limitations of tufting however, not all designs are suitable for this type of manufacture.
As with hand knotting quality control is paramount, with colour meticulously matched and designs executed to millimetre perfection.
However, Deirdre Dyson is primarily known for her hand knotted rugs and has built her brand’s reputation on their luxurious quality.
The vast majority of bespoke rugs and all collection carpets are hand knotted by our weavers in Nepal using traditional techniques which are indigenous to the area and have been passed down through the generations.
Hand knotting creates a dense, luxurious pile but allows for the finest of detail and subtle colour transitions which are impossible to replicate by machine.
The art of hand knotting not only takes skill and patience, it involves age old techniques and tools which have remained unchanged over centuries.
Climate is crucial to the process, as heat and sunshine is essential; from fixing dyes to drying and stretching the finished carpet, therefore the Monsoon season from June to August prolongs production time.
Additionally, weavers observe religious holidays and don’t work during these periods (particularly in January and February) Ultimately these carpets are intrinsically linked with Nepalese traditions and the Nepalese way of life.
Deirdre Dyson is a long-time partner of Goodweave ensuring no child labour is involved in rug making and that the highest level of work practices and standards are maintained for weavers and their families.
All Deirdre’s chosen colours are colour matched exactly, amazingly this is all done by the highly skilled dye master by eye.
The dye master mixes scrupulously measured quantities of pigments to create accurate dyes. The hand carded Tibetan wool and Chinese silk is then turned by hand in vats of the dye until precisely the right shade is achieved.
The dyed yarn is then allowed to dry naturally. As it dries the heat of the sun fixes the dye which is then spun by hand to the correct ply and thickness.
Meanwhile, exact mapping of the design has taken place to create a template which hangs above the loom from which the weavers work.
This intricate graph carefully maps the position of every knot and colour change within the design, all painstakingly reproduced from Deirdre’s original and replicated by the weavers by eye.
The hand knotting process itself is incredible to watch, the speed and dexterity of our weavers is truly astonishing, especially where there are complex grades (such as SEA WASH pictured on the loom below) or intricately detailed carpets with fine lines (such as PLUMES)
The weaver’s create knots on the vertical ‘warp’ threads using a metal rod, an incredible 100 knots fit the area of a postage stamp which gives an indication of the intricacy involved.
Once a row is complete it is hammered tightly on to the row below and the yarn is cut to create a rough pile.
When weaving is complete, each carpet is carefully washed, stretched and dried in the open air then precisely trimmed by hand to the correct pile height.
The fascinating and intricate carving process then takes place, where specific design elements are carefully clipped around to create definition.
Finally, the carpet is bound around the edges with matching yarn and our leather Deirdre Dyson label is attached.
Once approved, the carpet is then ready for packing and shipping back to our gallery in London.
A standard size rug will take approximately 14-16 weeks to complete from artwork sign off – with the production time rising depending on size and complexity of design.
Each element in the creation of your rug involves skill and a level of precision which cannot be rushed, this is ultimately an artisan process assisted by technology but not necessarily expedited by it.
The crucial elements of rug design and making are slow and considered and stand out in our world of mass production and instant gratification, the wait is worth it and the result is of the highest quality and designed to last a lifetime.
We were delighted when the British Consulate in Hong Kong chose Deirdre’s PLECTRUMS design as part of the interior scheme at the Consul-General’s residence.
The Consulate makes a point of showcasing British Designers and goods and we are thrilled to be in the company of well established British brands such as Liberty and Colefax and Fowler.
The Consulate’s representative selected Plectrums for the scheme and our Designer Nichola created a pair of oversized versions in a slightly different colour arrangement to Deirdre’s original colour choice.
They were then hand knotted in 100% wool in Nepal.
The rugs have been positioned to mirror each other, creating two distinct seating areas and look stunning on the parquet floor, blending brilliantly with the residences existing colour palette.
Rugs are an ideal way to zone an open plan living area or link spaces – the perfect example being a double reception room.
Sometimes a room calls for contrast but, where required, many of Deirdre’s designs work in pairs or partners, see our previous post on the successful use of Deirdre’s FALLING RIBBONS design in a St. Mortiz chalet.
Of course we can change all colours on any design and adapt them to suit but we thought we’d put some ideas together from our sample rugs to inspire anyone furnishing a space where a connection between the designs would work that’s not entirely dependant on colour.
Different versions of the same design
Link by theme
Organic design elements
Connect by decorative style
There are so many other elements to consider such as texture, size and scale but hopefully this post will tempt you to think more about two or more rugs working cohesively in your interior when space and budget allows.
There is no better way to bring life to your interior than commission a perfectly proportioned hand knotted luxury rug, custom designed and coloured to suit your space.
The right rug anchors a room, can create a template for the colours used in an interior, frame a piece of furniture, ‘zone’ a space or be a focal point in itself. Within Deirdre Dyson’s Rug Collection there is something for every scheme.
We’ve selected five of Deirdre Dyson’s luxurious bespoke hand knotted rugs to show how the right design can really bring a space to life.
This dynamic design uses three colours, one wool and two silk, making it an easy rug to incorporate into any interior.
It’s the intricacy of this hand knotted rug that truly brings it to life, with a lower pile height and the careful carving of elements, this fine rug sits comfortably in a traditional or contemporary context.
An apparently simple design that actually uses five colours in the silk ‘bars’ which can reflect the colours used in your interior, dialling up or down the colour to suit the mood of the room.
In this light and airy open plan penthouse apartment, a range of blues reflect not only the blue supporting columns and the furniture and accessories selected by the owner but also the sky outside.
The carpet also zones the seating area bordered by an L shaped sofa, whilst glass coffee tables are cleverly used so the view of the entire rug design is unobstructed, adding to the light and airy feel of the space.
What better way to breathe life into a room than bring the outside in? The rich palette of green silks used in FOREST MOSAIC would bring an organic freshness to any interior, particularly restful tones for a bedroom or sitting room.
Mosaic is one of Deirdre’s signature motifs and the intricacy of mosaic carpets allow the introduction of several colours which can have varying tonal shifts – for instance ROSE MOSAIC uses graduated reds and pinks whilst the mosaic effect adds a contemporary edge to the floral theme.
This modernist hallway is lifted by the bold primary colours in Deirdre’s HARLEQUIN hand knotted rug from this year’s PLUMAGE Collection.
The pops of red, black and white provide focal points and elements of drama contrasting with the strong blue shades in its wool/silk mix background and work perfectly with the stark simplicity of the brickwork walls and carefully selected furniture and objets.
The graded silk copper bars in this hand knotted design reflect the burnished metal fence enclosing the patio outside and the graded blue wool reflects the sky.
Referencing the outside expands the sense of space in this narrow room, cleverly creating an optical illusion as the design is also reflected in the large expanse of glass.
Deirdre Dyson’s colour choices in this rug lifts this otherwise stark garden room and gives focus and softness to a space that could otherwise seem austere and unwelcoming. The perfect place to relax on the classic Eames lounge chairs!
Ethical production is hugely important to Deirdre and all our hand knotted rugs are GoodWeave certified.
GoodWeave certification is your guarantee that no child labour has been used at any stage of your rug’s manufacture.
By buying a GoodWeave labelled rug, you are supporting the work GoodWeave does to ensure children discovered manufacturing rugs are returned to their families, given an education and taken out of child labour permanently.
Though GoodWeave’s ultimate goal is to end child labour in South Asia, it also actively supports weavers, improving training and working conditions and provides essential day care and schooling for their children, who would otherwise be left hanging around workshops whilst their parents work.
GoodWeave labelled rugs may cost a little more but the work they do is essential in increasing welfare standards for weaving families and expediting the end of child exploitation in the rug industry.