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PLECTRUMS at the British Consul-General’s Residence in Hong Kong

We were delighted when the British Consulate in Hong Kong chose Deirdre’s PLECTRUMS design as part of the interior scheme at the Consul-General’s residence.

Plectrums

The Consulate makes a point of showcasing British Designers and goods and we are thrilled to be in the company of  well established British brands such as Liberty and Colefax and Fowler.

The Consulate’s representative selected Plectrums for the scheme and our Designer Nichola created a pair of oversized versions  in a slightly different colour arrangement to Deirdre’s original colour choice.

They were then hand knotted in 100% wool in Nepal.

The rugs have been positioned to mirror each other, creating two distinct seating areas and look stunning on the parquet floor, blending brilliantly with the residences existing colour palette.

Plectrums


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BULRUSHES Wins International Wool Floor Award

We are delighted to announce that Deirdre’s BULRUSHES carpet won the Design Sector Hand Knotted Rug Award at yesterday evening’s #WOOLFSL International Wool Carpet & Rug Awards!

Deirdre Dyson Exclusive Carpets and Rugs BULLRUSHES
Company Manager Edison collecting the award on Deirdre’s behalf

Thank you The Campaign for Wool and British Wool

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NOS AMIS ARGILE

Deirdre is a huge fan of the Parisian paint brand Argile, and has used Argile paints in her interiors for several years.

As a colourist, the ‘trueness’ of a hue on a given surface is key to Deirdre , and this quality of colour is paramount to Argile.

Founded in 2006, Argile was born of the encounter between an entrepreneur and paint expert, Jean Frédéric Nothomb, and a colour specialist, Pierre Bonnefille. The idea was to offer a premium range of paint products to architects, decorators, set designers and all those who have an interest in decoration, whether professionals or private individuals.

Their philosophy is to draw inspiration from the colours of nature and their challenge to manufacture a range of the highest quality colours on an industrial scale, coupled with exceptional service.

Argile take inspiration from the sky, sea and landscape, Argile translates as ‘clay’ referring to organic nature of their colour inspiration as well as the raw materials of their paint.

Argile’s palette of 184 glorious colours work in harmony to create an exceptional finish.

Argile paints are now found in historic properties, such as the Louvre and the Grand Palais in Paris, as well as luxury hotels such as the Connaught in London and the Hoxton in Amsterdam, and in the interior design of countless traditional and contemporary homes.

When it came to designing our stand for this years’ Maison et Objet interiors exhibition, Argile’s colour chart was Deirdre’s first port of call, from which she selected the perfect backdrop for each of the eight new rug designs on display.

The earth colours of ‘grivele’ worked perfectly with QUILLS and FEATHER BOUND, ‘gres’ provided the perfect backdrop to the magestic EAGLE , ‘bleu burlington’ brought out the turqouise feather tips in PLUMES and also provided a foil for the vibrancy of GOLDEN PHEASANT and BURLESQUE, whilst ‘ardoise bleue’ set off the stunning tones of MANDARIN and HARLEQUIN.

Detail of GOLDEN PHEASANT with Argile’s ‘gres’ on the wall behind.

Argile’s ‘gres’ was the perfect background for EAGLE.

Detail of FEATHER BOUND with Argile’s ‘grevele’ on the wall behind.

PLUMES with Argile’s ‘bleu burlington’ on the wall behind.

We feel a real affinity with Argile, both companies are small brands dedicated to creating the highest quality product, providing exceptional service and ultimately share a love of colour.

In January whilst preparing for Maison, Edison popped by Argile’s fabulous headquarters in Paris to to meet the team and collect the paint for our Maison stand, a shrine to colour!

Learn more about the Argile story here

 


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CDQ Autumn Event Collaboration with Stephenson Wright and Jan Erika revealed

We are huge fans of Interior Designers Stephenson Wright whose combined attention to detail, eye for colour and refined aesthetic translate their clients needs and requirements into beautiful homes.

Juliette and Natalie recently expanded their portfolio to include bespoke furniture design and have created a capsule collection which launched at this year’s Decorex.

Some of these beautiful and functional pieces such as their Plink and Plonk occasional tables and Barrel stools, are uniquely customised by Artist Jan Erika.

Jan is a prolific artist whose bold graphic style works brilliantly with these classic contemporary Stephenson Wright designs.

We love to celebrate all things handmade and bespoke and the launch of Chelsea Design Quarters Designers page, a directory of local Interior Designers celebrated by the CDQ Autumn Event allowed us to showcase the exceptional talent of Stephenson Wright and Jan Erika with Deirdre’s bold and vibrant MANDARIN wool and silk rug.

Edison’s concept of double height banners making the most of the gallery’s atrium ran to 19m and Jan’s bold ‘Zebramane’ brushstrokes create an eye catching backdrop for Deirdre’s rug from this year’s PLUMAGE Collection and Jan’s customised tops for Stephenson Wright’s Plink and Plonk tables, their black scalloped bases reflecting the monochrome banners and black detailing in Deirdre’s rug design.

The CDQ Autumn Event culminates in the CDQ Raffle on Thursday 21st November with an exclusive event at Tom Faulkner.

By purchasing a ticket you support the invaluable work of homeless charity Glass Door and get the chance to win a selection of superb prizes donated by CDQ members such as a night at The Bath Priory on a revolutionary Ammique bed, a Martin Brudnizki Studio light donated by  Drummonds Bathrooms a Baby Soho Drum stool by George Smith, door knobs from Haute Deco , Stephenson Wright limited edition gin bottle customised by Jan, a Lily Cocktail table by  Tom Faulkner Tickets can be purchased here

 


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The Intricacies of Grading

Over the past few years Deirdre has increasingly incorporated grading – where different coloured silk or wool is woven together to create graduated layers of colour – into her designs to achieve a heightened sense of depth and complexity.

Last year’s SEA WASH showcased Deirdre’s skill for selecting colours that seamlessly segue to create a unique, almost water colour, effect.

SEAWASH indigo
Deirdre Dyson Exclusive Carpets and Rugs SEAWASH INDIGO

The grading applied to this year’s DAWN brilliantly gives, what appears to be a very simple design, incredible layers of visual depth and contrast.

DAWN
Deirdre Dyson Exclusive Carpets and Rugs DAWN

The success of the finished carpet is a true combination of Deirdre’s singular eye for colour and the craftsmanship of our weavers in Nepal, Deirdre says of the weavers:

My 2015 “Illusion” collection presented my hand-knotted makers with the most difficult challenge to date.  The geometric designs may look deceptively simple, but the intricacy of workmanship involved is astounding. I have used colour grading in many directions and opposing paths. The makers, who work across the loom from left to right, row by row, have to change colour at almost every stitch. It requires them to think as if standing on their heads and reflects the complete labour of love that we dedicate to these exquisite carpets! The result is a dazzling contrast from light to dark, of shadows and optical illusions.

Here are some recent images of our weavers at work on a large-scale version of SEAWASH.

This version incorporates no less than seven different coloured silk threads and requires incredible skill on the weavers part to achieve the finished effect.

Intricacies of Grading

Intricacies of Grading

Intricacies of Grading

Discover how Deirdre has utilised this unique effect in the new collection.


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THE TOOLS OF OUR WEAVERS TRADE

Our bespoke Nepalese carpets are not only crafted by hand but the tools they are created with are also handmade using centuries old techniques.

In a world of increasing mechanisation, the tools used by our Nepalese weavers are simply made locally, have stood the test of time and last for many, many years.

These fascinating instruments in talented hands result in our wonderful carpets.

See our Weavers work their magic here

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The PLUMAGE Collection at Maison 2019

 

 

Deirdre’s new rug collection has received a wonderful reception at Maison & Objet Paris, where eight of nine new designs on display in Hall 8, stand A32 were showcased on a custom made, towering stand painted with Argile paint colours selected personally by Deirdre to complement each of the new carpet designs.  Deirdre relishes the opportunity to be on the stand at Maison meet clients and discuss the designs and their inspiration.

Yet again Deirdre has pushed the boundaries of the art of hand knotting to create very distinctive designs using pops of colour (HARLEQUIN), intricate detail (PLUMES/FEATHER BOUND/QUILLS) or colour grading (GOLDEN PHEASANT, EAGLE) from the abstracted (MANDARIN) to the figurative (FLIGHT) creating a new collection that celebrates her instinctive eye for colour and cleverly plays with the shapes and forms of birds and their feathers to create unique designs.

Each design uses varying amounts of silk to mirror the shimmering nature of bird’s plumage and Deirdre’s chosen colour palette is shot with vibrant hues that give the organic forms a 3D quality.

Bordered rugs such as BURLESQUE and FEATHER BOUND are endlessly adaptable – for use under a dining table or bed whereas the bold Studio 54esque GOLDEN PHEASANT makes a statement all of its own as does the elegant scale of the exquisite EAGLE.

Last year’s HORIZONS Collection played with scale and Deirdre continues this trend with the largest carpet on display, EAGLE mirroring the wing span of its namesake, an impressive 3.4 metres wide.

As with all Deirdre’s designs these sample carpets are just the start, each design can be created in any colourway or size required and most designs can also be gun tufted in 100% wool should the client or space require it.


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Deirdre Dyson’s inspiration for the LOOKING GLASS rug collection

Deirdre’s 2020 collection has just launched at Maison et Objet, Paris.

These hand knotted designs were inspired by Deirdre’s observations of colours and forms through glass, glass objects and water.  Nine new designs take her carpets in an entirely different direction.

Read all about Deirdre’s inspiration for each carpet in the LOOKING GLASS Collection here in her own words:

Last summer I found myself mesmerised by everything I could see through glass and water, particularly on holiday where the sun made everything glitter.

I decided to try to make my designs seem ‘glassy’ even though I was working in wool!  If I failed, I might create something unexpected – I love the challenge of the unknown result and you only discover if you explore.

GLASS CUBES

I started with two little rectangular vases of different colour, photographed them and analysed the colours they created when they were overlapping each other.

I designed two simple geometric shapes representing the cubes and inserted the exact colours from my palette of wool poms to represent where the two colours overlapped which gives the illusion of looking through glass.

I finished the piece with wide silken borders to add the shine and glitter of glass.  I was hugely surprised and excited at the finished carpet which really looked glassy and also very three dimensional.  This encouraged me to explore several different ideas about glass.

SLIVERS

The next attempt led on from this overlapping idea.  I didn’t even need real glass, I just created four shapes, selected four colours and overlapped them creating the colour I imagined would occur if they existed.

What made this carpet successful was the grading I decided to do within each piece.  I had to select about 8 grades of each colour to grade from dark to light, and from the outside in, to give the illusion of seeing through the glass.

This was the first time that we had tried to grade within a random shape which was very difficult to specify for our craftspeople and a new challenge for them too.  Again they succeeded and have given me a new skill to work with in the future.

TRANSPARENT was designed from an existing vase with various shapes and colours in the glass.

I created my own shapes and colours and again looked for the overlapping colours that I knew would occur.  Because the inspiration was a vase I added some silk highlights to represent light against the outside of the vase.  Each of these highlights was a paler colour of the colour underneath.

LIGHT FRAGMENTS

I have a very simple water flask and thought of two different things that I could do with it.  One was to paint exactly what I could see inside through the water which were random abstract shapes and colours which looked distorted and bent through the water and also to add highlights again of paler colours and in silk as seen on the outside of the vase.

LOOKING THROUGH

The second idea was to paint what was behind the vase ie. boat rigging and blue cushions with reflections on a shiny table and then paint the distortions of these within the flask without drawing the outline of the flask.  I knew from exercises in my student days that without trying, the flask would slowly appear and it did, and it does in the carpet, although I made the colours within the flask a tiny bit paler to help it reveal itself.

 

FLOATING GLASS

Being on a boat made me think of all the bits of worn glass that we often find washed up on beaches so another idea was to include chinks of floating glass in a flowing, watery setting.

LIGHT BETWEEN

I had used a great deal of colour in the collection so finally decided to do some monochromatic grading with a path of light and two simple glassy bars in silk that you feel you can see through as they pass over the greys and light between.

This was an accidental idea caused by placing a plain glass bowl, which had a glass ball as its base, on top of a patterned glass plate.  This created a magnification which I decided to represent in silk with just a tiny lightening of the colour inside the area.

STAINED GLASS

On a visit to the Amalfi Cathedral and in one of the small rooms at the back behind all the magnificence of marble and gold was a small plain window high up with beautiful, simple pale colours.  The light behind it made it impossible to photograph but the colours stayed in my mind and I thought that in silk, it might make a lovely wall hanging for a windowless room.
Click here to view all Deirdre’s new designs online or contact us to arrange a viewing of the new collection at our Kings Road gallery.

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554 KINGS ROAD REFURBISHMENT NEARING COMPLETION

554 Kings Road

We are counting down the days to our move back to the completely gutted and remodelled showroom at 554 Kings Road – the next few weeks will be a flurry of joiners, electricians and decorators as work nears completion.

The light and airy four-story gallery space has been designed by Timothy Hatton Architects as the perfect foil for Deirdre’s carpet designs.

Timothy has collaborated closely with Deirdre and manager Edison to create not only a light, airy and calm environment allowing Deirdre’s designs to speak for themselves, but also a practical workspace for Deirdre and her staff.

Even though the carpets will take centre stage, the architects have incorporated several surprise elements – the piece de resistance surely being the patinated steel cantilevered staircase fabricated by New York based metal-worker William R. Nitzberg of Enzo Metal.

William’s sculptural metalwork has been exhibited at Moma and the Whitney Museum and the staircase is not only a major architectural statement but also a mammoth feat of engineering, as our Site Manager Kevin will confirm!

Light has been a consideration from the beginning and both a retractable roof light on the top floor and ‘glass box’ extension on the ground floor allow natural light to flood through the building.

A totally bespoke lighting system has also been designed by Sally Storey, founder of Lighting Design International specifically to highlight the intense colour and subtle contrasts in Deirdre’s designs.

This Blog entry is very much absent of images but trust us, it will be worth the wait.  All will be revealed soon and we promise it will be spectacular!