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Deirdre’s Design Inspiration – Water

Deirdre Dyson at work in her studio at home.

 

Continuing our exploration of inspiration and what keeps us #INspired, Deirdre draws inspiration for her designs from myriad sources but one recurring area of fascination is water – be it BULRUSHES reflected in a lake or lapping water on the shore in SEAWASH.

We thought exploring some of these rug designs would be fascinating – the source of inspiration being fundamentally the same, the designs themselves could not be more different.

BULRUSHES

BULRUSHES
Deirdre Dyson Exclusive Carpets and Rugs BULRUSHES

One of Deirdre’s more figurative designs and one that has captured people’s imagination and become a classic and was inspired by Deirdre’s painting of the same name.

This rug features the naturally abstracted forms of bulrushes, their bending shafts reflected and refracted in lake water.

Deirdre uses a graded wool/silk mix background to recreate the skyline and lake water which merge on the horizon to create this perfectly framed design.  The finished rug is so captivating one client choose to hang it on a wall of their home.

BULRUSHES won both the International Wool Carpet & Rug Awards (Design Sector) 2017 and the International Design & Architecture Awards (Flooring, Carpet & Rugs) 2017.

 

SEAWASH

SEAWASH indigo
Deirdre Dyson Exclusive Carpets and Rugs SEAWASH INDIGO

The success of Deirdre’s SEAWASH rug design is all in the grade – which required Deirdre’s exceptional eye for colour to achieve this seamless ebb and flow effect.

Originally Deirdre designed the carpet in two versions, INDIGO (above) and BEIGE (below) which have become favourite designs amongst clients, we have created both large scale carpets and runners from this endlessly versatile design.

SEAWASH beige
Deirdre Dyson Exclusive Carpets and Rugs SEAWASH BEIGE

SEAWASH comes alive hand knotted in lustrous 100% silk (as in the versions above), providing the perfect watery, iridescent finish but has also been recreated several times using varying colourways in hand knotted and gun tufted 100% wool versions.

 

NAUTICAL

NAUTICAL
Deirdre Dyson Exclusive Carpets and Rugs
NAUTICAL

In NAUTICAL Deirdre again treats her source inspiration completely differently – abstracting sea water into fluid but solid geometric shapes, creating a feeling of depth and movement by alternating the same colours in wool and silk.

Clients can of course change these colours from the original water based palate but fundamentally this ‘breaking down’ of the sea to its most basic elements is the key to this design.

 

LILYPOND

LILYPOND
Deirdre Dyson Exclusive Carpets and Rugs LILYPOND

For LILYPOND Deirdre created a subtle, light to dark grade to give the impression of still pond water.

This circular grade, a challenge for our weavers, creates a sense of depth and bursts of colour are provided by the silk lilypads creating a 3D  effect.

 

SEASCAPE and SEA MIST

 

Both these designs are based on light (silk bars) reflected on sea water (a graded wool background)

SEASCAPE is an incredible 7m in width, reflecting the expansiveness of the sea and a chance for Deirdre to illustrate just how large hand knotted carpets can be.

SEASCAPE features shots of sunlight on the sea’s surface whilst SEA MIST uses stormier hues and was made on a more domestic scale but is no less effective.

SEASCAPE is currently available in it’s original 7 x 2.3m size and as a 1 x 2.9m runner in our sample sale.

ROMAN POND

ROMAN POND
Deirdre Dyson Exclusive Carpets and Rugs
ROMAN POND

Whilst not strictly inspired by water itself, the first of Deirdre’s mosaic designs was inspired by mosaic lined Roman ponds, the intricacy of ROMAN POND poses a challenge to our weavers as the thin lines of wool ‘grouting’ around the ingots of silk are incredibly complex to achieve (and individually carve out) but the finished effect is stunning.

 

RIVULETS
The everyday source inspiration for this rug only adds to its allure  – RIVULETS mimics the trail of rain drops on a window pane – the simplest of inspiration led Deirdre to this wonderfully subtle graded design.

Finally this year’s LOOKING GLASS Collection was inspired by glass and glass objects including a water filled flask in LOOKING THROUGH, discarded pieces of sea worn glass in FLOATING GLASS and abstracted light and forms through glass and water in LIGHT FRAGMENTS.  See the full collection here.

Looking for inspiration for your home? Explore all of Deirdre Dyson’s entirely bespoke rug designs in our Design Library and imagine how you could make it your own.  Contact us with any enquiries.

 


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Deirdre Dyson and Bespoke Design in the COVID-19 Crisis: Life may have changed but the design process hasn’t

SLIVERS hand knotted in graded wool and silk from this year’s LOOKING GLASS Collection

Businesses of every type have had to change dramatically in the face of this unprecedented crisis, we wanted to reassure our current and prospective clients that we can still provide our bespoke rug designs remotely and deliver the highest quality carpets despite the upheaval we are all facing at this challenging time.

In an ideal world, Deirdre Dyson’s Kings Road gallery provides the perfect backdrop to showcase Deirdre’s rug designs; physically see their quality, explore the range of colours and discuss design options face to face with our experienced team.  We love meeting prospective clients and showing them around the gallery.

We really relish the bespoke process which by its nature is slow and considered and enjoy getting to know our clients in one to one meetings and delighting them when a carpet arrives 14 -16 weeks later.

Every year Deirdre launches her new collection at Maison et Objet Paris which gives us the widest possible platform to showcase the exceptional quality of our carpets. 

With this international audience, in recent years Deirdre’s rug designs have had increasing global reach and outside of these extraordinary times we have been dealing regularly with clients worldwide (particularly in the United States, Europe and Asia)

In these cases the design process has been carried out entirely remotely with 100% success. 

Our Kings Road Gallery (L-R) OPTIC, CHEQUERED & SHADOWS

The Remote Design Process:

Clients will initially talk through their requirements with Edison or Chris then send photographs and  floorplans to agree on designs and size plus swatches or RAL colour codes which Deirdre and her Design Technician Nichola will use to select and/or colour match wool and silk colours.

Currently Design Technician Nichola is set up to work from home and both she and Deirdre have the technical capacity to work as closely as they always do. 

We then expedite the delivery of quality samples, colour tufts, digitally transfer artwork revisions and finally send a printed render of the finished design for sign off before production. 

As this is a global crisis, our normal manufacture time of 14 – 16 weeks will be extended however we will keep you advised of any changes which may impact the production time and delivery of your carpet.

We have many extremely happy clients, both retail and trade, who have been delighted with their finished carpets without ever having ‘met’ Deirdre or her team in person.

Though not physically ‘in’ the gallery we can still liaise with our clients and deliver everything you need to create your perfect version of one of Deirdre’s rug designs. 

We’ll miss this personal contact but are lucky in that we can still produce fabulous hand knotted rugs for any requirement without being at our gallery.

LAPIS, hand knotted in wool and silk, reduced by 50%

Ex-Display Carpets:

There are several ex-display rugs which are available to purchase now such as LAPIS above, the full sale listing is on our website please just email us with any enquiries on sales@deirdredyson.com

We will continue to maintain the highest levels of customer service and advice to all our clients whether at the enquiry or fulfilment stage but do look forward, as everyone else does, to this crisis passing and very quickly reverting to our normal face to face service when this worrying time comes to an end.

 

 


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FROM LOOM TO ROOM…Part Two

Part two of Edison’s blog post on behind the scene facts about the unique and timeless quality of your bespoke hand knotted rug.

Your Carpet could be an antique of the future.

Our carpets are made to the highest standards and are heirloom quality pieces that will be enjoyed and appreciated as much in the future as they are today. As a trained artist, Deirdre Dyson approaches every design as a work of art, each being able to compliment the breadth of different interior styles and trends. Hand knotted carpets also hold their value very well.

Deirdre Dyson LOOKING THROUGH (wall) and FLOATING GLASS  (floor) bespoke hand knotted wool and silk rugs. Copyright Deirdre Dyson Carpets Ltd

 

Quality materials make a quality product.

Quality is key. From Deirdre’s initial ideas and design sketches, to the materials employed and the skill of our weavers and London team, we make sure that only the best factors and considerations are invested into creating carpets for your home and interior space.

A design consultancy service is available at our London gallery which is located in the heart of the Chelsea Design Quarter. We are here to assist and guide you in making the right choice and using the best combinations of materials and colours (from 5,000 available colours).

The Tibetan wool used in our carpets are rich in natural oils, making them not only soft and naturally stain resistant but also very hardwearing. The superior Chinese silk that is incorporated into many of our designs is smooth, cooling and full of vibrancy.

Deirdre Dyson Exclusive Carpets and Rugs
Deirdre Dyson Exclusive Carpets and Rugs

“Time is what we want most…and what we use best”.

Okay, so we’ve adapted the old saying by William Penn, but we think it describes our work ethic well, as every carpet creation requires time and consideration.

The design process in adapting and creating designs for our clientele takes as long as it takes to make our customers dream a reality but generally from sign off, a carpet will go into production and be ready within 3-4 months (as a general guide to lead time). We use the latest design technologies available in the carpet industry and for every carpet we make, a full-sized graph of the design is produced and hung from the back of the loom, for guidance precision. These graphic sheets look like works of art in their own right and are protected to ensure that they can’t be copied or reproduced elsewhere. We take copyright infringement very seriously

 

Deirdre’s original sketch for GOLDEN PHEASANT

Digital version of Deirdre’s original design

The finished hand knotted version of GOLDEN PHEASANT.  Copyright Deirdre Dyson Exclusive Carpets and Rugs

The finished carpet, hand knotted in graded wool with silk

At Deirdre Dyson carpets limited, we want to share with you as much useful information as possible, so our website is full of valuable tools, tips and advice. Take a look at the current collection or browse our extensive catalogue in the design library section. We’ve made finding a suitable design very easy. Our price calculator will help you cost up a design as well as offer some useful information on sizing. Please remember that nothing is set in stone as all of the designs available are bespoke and can be adapted which may affect the sqm price.

Why not take a closer look at the production process on our video links and find more information about Deirdre herself and what we’re generally up to by visiting the profile and blog pages which are regularly updated.

Deirdre Dyson EAGLE hand knotted graded wool and silk rug. Copyright Deirdre Dyson Carpets Ltd.

 

 

 

 

 


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Deirdre Dyson’s inspiration for the LOOKING GLASS rug collection

Deirdre’s 2020 collection has just launched at Maison et Objet, Paris.

These hand knotted designs were inspired by Deirdre’s observations of colours and forms through glass, glass objects and water.  Nine new designs take her carpets in an entirely different direction.

Read all about Deirdre’s inspiration for each carpet in the LOOKING GLASS Collection here in her own words:

Last summer I found myself mesmerised by everything I could see through glass and water, particularly on holiday where the sun made everything glitter.

I decided to try to make my designs seem ‘glassy’ even though I was working in wool!  If I failed, I might create something unexpected – I love the challenge of the unknown result and you only discover if you explore.

GLASS CUBES

I started with two little rectangular vases of different colour, photographed them and analysed the colours they created when they were overlapping each other.

I designed two simple geometric shapes representing the cubes and inserted the exact colours from my palette of wool poms to represent where the two colours overlapped which gives the illusion of looking through glass.

I finished the piece with wide silken borders to add the shine and glitter of glass.  I was hugely surprised and excited at the finished carpet which really looked glassy and also very three dimensional.  This encouraged me to explore several different ideas about glass.

SLIVERS

The next attempt led on from this overlapping idea.  I didn’t even need real glass, I just created four shapes, selected four colours and overlapped them creating the colour I imagined would occur if they existed.

What made this carpet successful was the grading I decided to do within each piece.  I had to select about 8 grades of each colour to grade from dark to light, and from the outside in, to give the illusion of seeing through the glass.

This was the first time that we had tried to grade within a random shape which was very difficult to specify for our craftspeople and a new challenge for them too.  Again they succeeded and have given me a new skill to work with in the future.

TRANSPARENT was designed from an existing vase with various shapes and colours in the glass.

I created my own shapes and colours and again looked for the overlapping colours that I knew would occur.  Because the inspiration was a vase I added some silk highlights to represent light against the outside of the vase.  Each of these highlights was a paler colour of the colour underneath.

LIGHT FRAGMENTS

I have a very simple water flask and thought of two different things that I could do with it.  One was to paint exactly what I could see inside through the water which were random abstract shapes and colours which looked distorted and bent through the water and also to add highlights again of paler colours and in silk as seen on the outside of the vase.

LOOKING THROUGH

The second idea was to paint what was behind the vase ie. boat rigging and blue cushions with reflections on a shiny table and then paint the distortions of these within the flask without drawing the outline of the flask.  I knew from exercises in my student days that without trying, the flask would slowly appear and it did, and it does in the carpet, although I made the colours within the flask a tiny bit paler to help it reveal itself.

 

FLOATING GLASS

Being on a boat made me think of all the bits of worn glass that we often find washed up on beaches so another idea was to include chinks of floating glass in a flowing, watery setting.

LIGHT BETWEEN

I had used a great deal of colour in the collection so finally decided to do some monochromatic grading with a path of light and two simple glassy bars in silk that you feel you can see through as they pass over the greys and light between.

This was an accidental idea caused by placing a plain glass bowl, which had a glass ball as its base, on top of a patterned glass plate.  This created a magnification which I decided to represent in silk with just a tiny lightening of the colour inside the area.

STAINED GLASS

On a visit to the Amalfi Cathedral and in one of the small rooms at the back behind all the magnificence of marble and gold was a small plain window high up with beautiful, simple pale colours.  The light behind it made it impossible to photograph but the colours stayed in my mind and I thought that in silk, it might make a lovely wall hanging for a windowless room.
Click here to view all Deirdre’s new designs online or contact us to arrange a viewing of the new collection at our Kings Road gallery.

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Botanical Inspirational – A visit to Chelsea Physic Garden

A perfect Autumn day provided the ideal opportunity for Edison to visit a hidden gem nearby, Chelsea Physic Garden.

Flowers, plants and botanicals have long been a source of inspiration for Deirdre’s rug designs from HAIRY SEDGE to RIBWORT PLANTAIN to FALLING LEAVES , WINDSWEPT and the award winning AUTUMN LEAVES and the wealth of plant life at Chelsea Physic Garden would prove hugely inspirational to any designer.

Chelsea Physic Garden is a fascinating place established in 1673 by Apothecaries, the oldest botanical garden in London and an oasis by the Thames which occupies a four-acre plot beside Chelsea Embankment.

The garden includes over 5,000 different edible, useful and medicinal plants including numerous rare and endangered species.

Thanks to its warm micro climate, the garden features the largest outdoor fruiting olive tree in Britain and the world’s most northerly outdoor grapefruit tree. From pomegranates to ginkgoes, mulberries to eucalyptus, there are over 100 different species of tree in the Garden, many of which are rare in Britain.

The historic Glasshouses hold a collection of tropical and sub-tropical species, complemented by a Victorian Cool Fernery.

Enjoy some of Edison’s fabulous photographs of the plants on view in stunning autumnal light, particularly some fantastically sculptural succulents!


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CDQ Autumn Event Collaboration with Stephenson Wright and Jan Erika revealed

We are huge fans of Interior Designers Stephenson Wright whose combined attention to detail, eye for colour and refined aesthetic translate their clients needs and requirements into beautiful homes.

Juliette and Natalie recently expanded their portfolio to include bespoke furniture design and have created a capsule collection which launched at this year’s Decorex.

Some of these beautiful and functional pieces such as their Plink and Plonk occasional tables and Barrel stools, are uniquely customised by Artist Jan Erika.

Jan is a prolific artist whose bold graphic style works brilliantly with these classic contemporary Stephenson Wright designs.

We love to celebrate all things handmade and bespoke and the launch of Chelsea Design Quarters Designers page, a directory of local Interior Designers celebrated by the CDQ Autumn Event allowed us to showcase the exceptional talent of Stephenson Wright and Jan Erika with Deirdre’s bold and vibrant MANDARIN wool and silk rug.

Edison’s concept of double height banners making the most of the gallery’s atrium ran to 19m and Jan’s bold ‘Zebramane’ brushstrokes create an eye catching backdrop for Deirdre’s rug from this year’s PLUMAGE Collection and Jan’s customised tops for Stephenson Wright’s Plink and Plonk tables, their black scalloped bases reflecting the monochrome banners and black detailing in Deirdre’s rug design.

The CDQ Autumn Event culminates in the CDQ Raffle on Thursday 21st November with an exclusive event at Tom Faulkner.

By purchasing a ticket you support the invaluable work of homeless charity Glass Door and get the chance to win a selection of superb prizes donated by CDQ members such as a night at The Bath Priory on a revolutionary Ammique bed, a Martin Brudnizki Studio light donated by  Drummonds Bathrooms a Baby Soho Drum stool by George Smith, door knobs from Haute Deco , Stephenson Wright limited edition gin bottle customised by Jan, a Lily Cocktail table by  Tom Faulkner Tickets can be purchased here

 


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The Platner Chair – A Modern Classic

A classic design is something that every time you look at it, you accept it as it is and you see no way of improving it

Warren Platner

Some of our favourite imagery from this year’s PLUMAGE Rug Collection photo shoot has to be these exquisite shots of Deirdre’s GOLDEN PHEASANT rug, styled by Louisa Grey and photographed by Michael Sinclair.

Elle Decoration described the above image as ‘Studio 54-esque‘ with the vintage brass desk sourced by Louisa and the iconic Platner armchair upholstered in dusky pink, picking up one of the vibrant wool grades in the carpet design.

The chair was originally designed for Knoll by Warren Platner in 1966 and is still in production today.

The striking sculptural form is created by curved steel rods on a semi-circular frame and is a classic of mid-Century modernist design, described by Platner as ‘decorative, gentle [and] graceful’

The construction is hugely complex and technically challenging – the bases are made of hundreds of rods, and for some versions, more than 1,000 welds are required in construction but the effect is simply stunning and has stood the test of time.

Platner was an American Architect and Interior Designer and designed up until his death in 2006.  One of his most famous interiors was the original Windows on the World restaurant on top of New York’s World Trade Center North Tower, which incorporated several different variations on this chair in the reception areas.

Described as looking like a ‘shiny sheaf of wheat’ in the original Knoll catalogue,  the structure adapted to love seat, stool and fully upholstered easy chair and ottoman versions which combined lightweight form with comfort.  The design was also adapted as tables with the same cylindrical base and even lamp stands in myriad different metals and finishes.

 

 


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Win an Original Deirdre Dyson Rug and Benefit GoodWeave

 

In just a few short weeks, the winners of GoodWeave’s rug raffle will be announced!  Have you entered yet?

In celebration of GoodWeave’s 25th anniversary, Deirdre Dyson has donated her GOLDEN STONE rug (top right) valued at £4,314 to their annual raffle.

Inspired by the seashores of The Pearl Islands of Panama, GOLDEN STONE is hand-knotted in Tibetan wool and Chinese silk in shades of cream, gold, brown and coral. It measures 1.70 x 2.35m. For just a £20 charitable donation, you have a chance to own this luxury GoodWeave certified rug.

While Deirdre Dyson‘s design is stunning, we think the back of this rug is just as beautiful. On the underside, you will find a numbered GoodWeave label, meaning that independent inspectors ensured the rug’s manufacturing process met the highest ethical standards of production.

All proceeds benefit GoodWeave’s programmes for vulnerable and rescued children.

We  hope you enter to win GoodWeave’s charity raffle today! With every £20 ticket purchased, you improve your odds of winning and become a part of a beautiful story of freedom for children in Nepal, India, and Afghanistan. And remember, for every £80 worth of tickets you purchase, you’ll receive an extra one for free!

www.goodweave.org/raffle

 


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Edison’s musings on the iconic Fashion Photographer Guy Bourdin

As winter draws ever closer, it’s crazy to think how quickly the time has passed and that Maison 2020 is just around the corner.

It only seems like yesterday that we were on location at some fabulous properties, taking lifestyle images for Deirdre’s successful ‘Plumage Rug Collection’ styled by Louisa Grey.

In fact, that was a year ago and looking back at some of the wonderful photography by Michael Sinclair, I noticed a Guy Bourdin photograph pictured on one of the walls next to Deirdre’s QUILLS carpet.

How fitting, seeing that London Fashion Week is currently in full swing.

Considered as one of the important founders of contemporary photography, Bourdin’s images are highly charged and highly provocative; full of sensual and mysterious narrative but remaining colourful and often playful.

His advertising campaigns became synonymous with haute-couture whilst the product always came secondary to the image.

Even Madonna paid homage to Guy Bourdin in her 2003 ‘Hollywood’ music video, drawing direct inspiration from his most iconic images.