Skip to content

Click here to subscribe and ‘opt-in’ to Deirdre Dyson emails about news, events, collections and our blog Dismiss


Share this post

Botanical Inspirational – Edison’s visit to Chelsea Physic Garden

A perfect Autumn day provided the ideal opportunity for Edison to visit a hidden gem nearby, Chelsea Physic Garden.

Flowers, plants and botanicals have long been a source of inspiration for Deirdre’s rug designs from HAIRY SEDGE to RIBWORT PLANTAIN to FALLING LEAVES , WINDSWEPT and the award winning AUTUMN LEAVES and the wealth of plant life at Chelsea Physic Garden would prove hugely inspirational to any designer.

Chelsea Physic Garden is a fascinating place established in 1673 by Apothecaries, the oldest botanical garden in London and an oasis by the Thames which occupies a four-acre plot beside Chelsea Embankment.

The garden includes over 5,000 different edible, useful and medicinal plants including numerous rare and endangered species.

Thanks to its warm micro climate, the garden features the largest outdoor fruiting olive tree in Britain and the world’s most northerly outdoor grapefruit tree. From pomegranates to ginkgoes, mulberries to eucalyptus, there are over 100 different species of tree in the Garden, many of which are rare in Britain.

The historic Glasshouses hold a collection of tropical and sub-tropical species, complemented by a Victorian Cool Fernery.

Enjoy some of Edison’s fabulous photographs of the plants on view in stunning autumnal light, particularly some fantastically sculptural succulents!


Share this post

CDQ Autumn Event Collaboration with Stephenson Wright and Jan Erika revealed

We are huge fans of Interior Designers Stephenson Wright whose combined attention to detail, eye for colour and refined aesthetic translate their clients needs and requirements into beautiful homes.

Juliette and Natalie recently expanded their portfolio to include bespoke furniture design and have created a capsule collection which launched at this year’s Decorex.

Some of these beautiful and functional pieces such as their Plink and Plonk occasional tables and Barrel stools, are uniquely customised by Artist Jan Erika.

Jan is a prolific artist whose bold graphic style works brilliantly with these classic contemporary Stephenson Wright designs.

We love to celebrate all things handmade and bespoke and the launch of Chelsea Design Quarters Designers page, a directory of local Interior Designers celebrated by the CDQ Autumn Event allowed us to showcase the exceptional talent of Stephenson Wright and Jan Erika with Deirdre’s bold and vibrant MANDARIN wool and silk rug.

Edison’s concept of double height banners making the most of the gallery’s atrium ran to 19m and Jan’s bold ‘Zebramane’ brushstrokes create an eye catching backdrop for Deirdre’s rug from this year’s PLUMAGE Collection and Jan’s customised tops for Stephenson Wright’s Plink and Plonk tables, their black scalloped bases reflecting the monochrome banners and black detailing in Deirdre’s rug design.

The CDQ Autumn Event culminates in the CDQ Raffle on Thursday 21st November with an exclusive event at Tom Faulkner.

By purchasing a ticket you support the invaluable work of homeless charity Glass Door and get the chance to win a selection of superb prizes donated by CDQ members such as a night at The Bath Priory on a revolutionary Ammique bed, a Martin Brudnizki Studio light donated by  Drummonds Bathrooms a Baby Soho Drum stool by George Smith, door knobs from Haute Deco , Stephenson Wright limited edition gin bottle customised by Jan, a Lily Cocktail table by  Tom Faulkner Tickets can be purchased here

 


Share this post

The Platner Chair – A Modern Classic

A classic design is something that every time you look at it, you accept it as it is and you see no way of improving it

Warren Platner

Some of our favourite imagery from this year’s PLUMAGE Rug Collection photo shoot has to be these exquisite shots of Deirdre’s GOLDEN PHEASANT rug, styled by Louisa Grey and photographed by Michael Sinclair.

Elle Decoration described the above image as ‘Studio 54-esque‘ with the vintage brass desk sourced by Louisa and the iconic Platner armchair upholstered in dusky pink, picking up one of the vibrant wool grades in the carpet design.

The chair was originally designed for Knoll by Warren Platner in 1966 and is still in production today.

The striking sculptural form is created by curved steel rods on a semi-circular frame and is a classic of mid-Century modernist design, described by Platner as ‘decorative, gentle [and] graceful’

The construction is hugely complex and technically challenging – the bases are made of hundreds of rods, and for some versions, more than 1,000 welds are required in construction but the effect is simply stunning and has stood the test of time.

Platner was an American Architect and Interior Designer and designed up until his death in 2006.  One of his most famous interiors was the original Windows on the World restaurant on top of New York’s World Trade Center North Tower, which incorporated several different variations on this chair in the reception areas.

Described as looking like a ‘shiny sheaf of wheat’ in the original Knoll catalogue,  the structure adapted to love seat, stool and fully upholstered easy chair and ottoman versions which combined lightweight form with comfort.  The design was also adapted as tables with the same cylindrical base and even lamp stands in myriad different metals and finishes.

 

 


Share this post

Win an Original Deirdre Dyson Rug and Benefit GoodWeave

 

In just a few short weeks, the winners of GoodWeave’s rug raffle will be announced!  Have you entered yet?

In celebration of GoodWeave’s 25th anniversary, Deirdre Dyson has donated her GOLDEN STONE rug (top right) valued at £4,314 to their annual raffle.

Inspired by the seashores of The Pearl Islands of Panama, GOLDEN STONE is hand-knotted in Tibetan wool and Chinese silk in shades of cream, gold, brown and coral. It measures 1.70 x 2.35m. For just a £20 charitable donation, you have a chance to own this luxury GoodWeave certified rug.

While Deirdre Dyson‘s design is stunning, we think the back of this rug is just as beautiful. On the underside, you will find a numbered GoodWeave label, meaning that independent inspectors ensured the rug’s manufacturing process met the highest ethical standards of production.

All proceeds benefit GoodWeave’s programmes for vulnerable and rescued children.

We  hope you enter to win GoodWeave’s charity raffle today! With every £20 ticket purchased, you improve your odds of winning and become a part of a beautiful story of freedom for children in Nepal, India, and Afghanistan. And remember, for every £80 worth of tickets you purchase, you’ll receive an extra one for free!

www.goodweave.org/raffle

 


Share this post

Edison’s musings on the iconic Fashion Photographer Guy Bourdin

As winter draws ever closer, it’s crazy to think how quickly the time has passed and that Maison 2020 is just around the corner.

It only seems like yesterday that we were on location at some fabulous properties, taking lifestyle images for Deirdre’s successful ‘Plumage Rug Collection’ styled by Louisa Grey.

In fact, that was a year ago and looking back at some of the wonderful photography by Michael Sinclair, I noticed a Guy Bourdin photograph pictured on one of the walls next to Deirdre’s QUILLS carpet.

How fitting, seeing that London Fashion Week is currently in full swing.

Considered as one of the important founders of contemporary photography, Bourdin’s images are highly charged and highly provocative; full of sensual and mysterious narrative but remaining colourful and often playful.

His advertising campaigns became synonymous with haute-couture whilst the product always came secondary to the image.

Even Madonna paid homage to Guy Bourdin in her 2003 ‘Hollywood’ music video, drawing direct inspiration from his most iconic images.


Share this post

Ahm House – the perfect setting for Deirdre Dyson’s Plumage Rug Collection

Our Stylist Louisa Grey works closely with Deirdre as soon as a rug collection is designed to find exactly the right locations for our collection photo shoots and this year one of them stood out, Ahm House.

Deirdre Dyson Exclusive Carpets and Rugs Plumes

The house was originally built by Danish Structural Engineer Povl Ahm, a partner of Ove Arup, who worked on some of last Century’s most significant buildings.

It’s Architect was also a Dane, Jørn Utzon, who’s most prestigious building was the Sydney Opera House.

Photo from themodernhouse.com

Arup also worked on the Opera House and the two men met during the early stages of its design, culminating in Ahm asking Utzon to design his home which he built in Harpenden, Hertfordshire from 1961-3.  It was to be Utzon’s only completed project in the UK.

This low-lying Pavilion of concrete and brick unfolds to dramatically reveal floor to ceiling glass bringing the secluded, mature gardens into the classic mid-Century space.  In the words of architecture critic Hugh Pearman “Probably the best Modern house in the world”.

As Ahm’s family grew, a later extension was added by Ulrik Plesner in association with Christopher Beaver Associates in 1972-4.

Now Grade II listed, from the street the house gives nothing away, dominated by its car port (and the later garage which formed part of the Plesner extension)

Photo from themodernhouse.com

Ahm’s widow sold the house after his death in 2005 and it was sold again in 2016.  The new owners wanted to maintain the character of the home and employed Architects Coppin Dockray to work on the interiors which have been sensitively restored.  The restoration went on to win the Wallpaper* Design Award 2019 for Best Remastered Building.

Fast forward to Autumn last year and our shoot which featured Deirdre’s PLUMES, HARLEQUIN, MANDARIN, BURLESQUE and FEATHER BOUND rugs – Deirdre and Edison knew something special would unfold when they attended the shoot at the Ahm House and the finished photographs by Michael Sinclair are testament to that.

Deirdre Dyson Exclusive Carpets and Rugs Quills
Deirdre Dyson Exclusive Carpets and Rugs Mandarin
Deirdre Dyson Exclusive Carpets and Rugs Harlequin
Deirdre Dyson Exclusive Carpets and Rugs Burlesque

Share this post

5 Luxury Rugs to Breathe Life into Your Living Space

There is no better way to bring life to your interior than commission a perfectly proportioned hand knotted luxury rug, custom designed and coloured to suit your space.

The right rug anchors a room, can create a template for the colours used in an interior, frame a piece of furniture, ‘zone’ a space or be a focal point in itself.  Within Deirdre Dyson’s Rug Collection there is something for every scheme.

We’ve selected five of Deirdre Dyson’s luxurious bespoke hand knotted rugs to show how the right design can really bring a space to life.

 

Deirdre Dyson Exclusive Carpets and Rugs Plumes

PLUMES

This dynamic design uses three colours, one wool and two silk, making it an easy rug to incorporate into any interior.

It’s the intricacy of this hand knotted rug that truly brings it to life, with a lower pile height and the careful carving of elements, this fine rug sits comfortably in a traditional or contemporary context.

Here it looks perfect in the modernist Ahm House with a classic Arne Jacobsen Egg chair anchoring this restful seating area.

 

Deirdre Dyson Exclusive Carpets and Rugs Attitude

ATTITUDE

An apparently simple design that actually uses five colours in the silk ‘bars’ which can reflect the colours used in your interior, dialling up or down the colour to suit the mood of the room.

In this light and airy open plan penthouse apartment, a range of blues reflect not only the blue supporting columns and the furniture and accessories selected by the owner but also the sky outside.

The carpet also zones the seating area bordered by an L shaped sofa, whilst glass coffee tables are cleverly used so the view of the entire rug design is unobstructed, adding to the light and airy feel of the space.

 

Deirdre Dyson Exclusive Carpets and Rugs Forest Mosaic

FOREST MOSAIC

What better way to breathe life into a room than bring the outside in?  The rich palette of green silks used in FOREST MOSAIC would bring an organic freshness to any interior, particularly restful tones for a bedroom or sitting room.

Mosaic is one of Deirdre’s signature motifs and the intricacy of mosaic carpets allow the introduction of several colours which can have varying tonal shifts – for instance ROSE MOSAIC uses graduated reds and pinks whilst the mosaic effect adds a contemporary edge to the floral theme.

 

 

Deirdre Dyson Exclusive Carpets and Rugs Harlequin

HARLEQUIN

This modernist hallway is lifted by the bold primary colours in Deirdre’s HARLEQUIN hand knotted rug from this year’s PLUMAGE Collection.

The pops of red, black and white provide focal points and elements of drama contrasting with the strong blue shades in its wool/silk mix background and work perfectly with the stark simplicity of the brickwork walls and carefully selected furniture and objets.

 

 

Deirdre Dyson Exclusive Carpets and Rugs Dawn

DAWN

The graded silk copper bars in this hand knotted design reflect the burnished metal fence enclosing the patio outside and the graded blue wool reflects the sky.

Referencing the outside expands the sense of space in this narrow room, cleverly creating an optical illusion as the design is also reflected in the large expanse of glass.

Deirdre Dyson’s colour choices in this rug lifts this otherwise stark garden room and gives focus and softness to a space that could otherwise seem austere and unwelcoming.  The perfect place to relax on the classic Eames lounge chairs!

Interested in seeing more?


Share this post

The Design Process – your carpet from inspiration to delivery…

Every Deirdre Dyson carpet or rug is by its nature unique.

HARELQUIN hand knotted wool and silk rug from this years Plumage Rug Collection

As an entirely bespoke product, no two designs will ever be exactly the same, whether hand knotted or gun tufted, Deirdre’s carpets are made to last and the ancient processes involved in their manufacture take time.

Each year Deirdre creates a new themed rug collection, but these designs are just the starting point, Deirdre Dyson rugs are infinitely customisable – colours, size, composition and the design itself can all be altered to suit a client’s exact requirements.

Whether Deirdre’s colour choices are perfect for your scheme or if you want to create your custom version of a rug design, the process remains the same and the result is a luxurious, heirloom quality rug or carpet of your own.

THE CREATION OF A COLLECTION:

Deirdre colouring her initial sketch for her CORAL rug design

Deirdre’s carpets begin with a simple, hand coloured, pencil drawing.

Over the year’s Deirdre has sought inspiration in nature, the sky, sea and shoreline, stones, flowers, leaves and trees to the abstract – geometric and organic forms or the refraction of light.

Deirdre has complete creative control over every design in her annual rug collections.

Working with her Designer Nichola to digitise the design, together they refine it if necessary and add Deirdre’s carefully selected colours to precisely match her vision for that rug.

Colour is of course key. Deirdre selects from over 5,000 colour poms in wool and silk – her ‘paint box’.

Some of the 5,000 wool and silk poms from which Deirdre selects the colourways for each collection rug

This is a considered process, where the colours are observed in different lights and times of day to accurately reflect their relationship with each other and realise Deirdre’s concept perfectly.

Deirdre’s eye for colour is fundamental – as a Fine Artist she has both the innate skill and technical knowledge to find just the right juxtaposition of colours or the perfect tones to create an intricate colour grade (the subtle change of colour from dark to light as seen in rug designs such as EAGLE pictured below)

Detail of grading on Deirdre Dyson’s EAGLE hand knotted rug

Digitally colour matching Deirdre’s pom selection is a highly skilled task, Nichola has worked with Deirdre for almost twenty years and no amount of technology can mimic her colour matching abilities, which again can take days to refine, dependant on the hours of daylight available and how the colours appear in different lights, both on screen and in print.

Nichola’s accurate digital versions of the rug designs are stored for future adaptation and exact colour-perfect print versions are approved by Deirdre (or a client) before manufacture.

MANUFACTURE:

Once the design is finished to Deirdre’s exacting standard, it is sent to our trusted weavers in Nepal or, if gun tufted in 100% wool, to our manufacturers in Yorkshire.

We have long standing relationships with both and Deirdre has a strong, personal rapport with each. Communicating new design ideas involves close discussions regarding the technical elements involved.

The gun tufting process which uses 100% wool and is suitable for some designs.

Gun tufting is by far the quicker option (though no less careful and considered) and generally the suggested method of production for commercial projects or areas with higher footfall.

Given the limitations of tufting however, not all designs are suitable for this type of manufacture.

As with hand knotting quality control is paramount, with colour meticulously matched and designs executed to millimetre perfection.

HAND KNOTTING:

However, Deirdre Dyson is primarily known for her hand knotted rugs and has built her brand’s reputation on their luxurious quality.

The vast majority of bespoke rugs and all collection carpets are hand knotted by our weavers in Nepal using traditional techniques which are indigenous to the area and have been passed down through the generations.

Hand knotting creates a dense, luxurious pile but allows for the finest of detail and subtle colour transitions which are impossible to replicate by machine.

The art of hand knotting not only takes skill and patience, it involves age old techniques and tools which have remained unchanged over centuries.

One of our skilled weavers at work.

Climate is crucial to the process, as heat and sunshine is essential; from fixing dyes to drying and stretching the finished carpet, therefore the Monsoon season from June to August prolongs production time.

Additionally, weavers observe religious holidays and don’t work during these periods (particularly in January and February)  Ultimately these carpets are intrinsically linked with Nepalese traditions and the Nepalese way of life.

Deirdre Dyson is a long-time partner of Goodweave ensuring no child labour is involved in rug making and that the highest level of work practices and standards are maintained for weavers and their families.

DYEING:

All Deirdre’s chosen colours are colour matched exactly, amazingly this is all done by the highly skilled dye master by eye.

Raw yarn being dyed to exactly the right shade.

The dye master mixes scrupulously measured quantities of pigments to create accurate dyes.  The hand carded Tibetan wool and Chinese silk is then turned by hand in vats of the dye until precisely the right shade is achieved.

The dyed yarn is then allowed to dry naturally.  As it dries the heat of the sun fixes the dye which is then spun by hand to the correct ply and thickness.

Dyed yarn drying in the sun.

MAPPING:

Meanwhile, exact mapping of the design has taken place to create a template which hangs above the loom from which the weavers work.

This intricate graph carefully maps the position of every knot and colour change within the design, all painstakingly reproduced from Deirdre’s original and replicated by the weavers by eye.

WEAVING:

The hand knotting process itself is incredible to watch, the speed and dexterity of our weavers is truly astonishing, especially where there are complex grades (such as SEA WASH  pictured on the loom below) or intricately detailed carpets with fine lines (such as PLUMES)

Deirdre Dyson’s SEAWASH rug on the loom

The weaver’s create knots on the vertical ‘warp’ threads using a metal rod, an incredible 100 knots fit the area of a postage stamp which gives an indication of the intricacy involved.

Once a row is complete it is hammered tightly on to the row below and the yarn is cut to create a rough pile.

FINISHING:

When weaving is complete, each carpet is carefully washed, stretched and dried in the open air then precisely trimmed by hand to the correct pile height.

The fascinating and intricate carving process then takes place, where specific design elements are carefully clipped around to create definition.

Finally, the carpet is bound around the edges with matching yarn and our leather Deirdre Dyson label is attached.

Deirdre Dyson Exclusive Carpets and Rugs Label

Once approved, the carpet is then ready for packing and shipping back to our gallery in London.

A standard size rug will take approximately 14-16 weeks to complete from artwork sign off – with the production time rising depending on size and complexity of design.

Each element in the creation of your rug involves skill and a level of precision which cannot be rushed, this is ultimately an artisan process assisted by technology but not necessarily expedited by it.

The crucial elements of rug design and making are slow and considered and stand out in our world of mass production and instant gratification, the wait is worth it and the result is of the highest quality and designed to last a lifetime.

 


Share this post

Street Art and Style In Interiors

Inspired by our recent World of Interiors feature, Edison explores the links between street art and style and interiors.

It’s evident by our latest feature in the World of Interiors rug promotion (featuring FLIGHT and HARLEQUIN below) that the cross over from street art and style into fashion and interiors is ever increasing.

Street influences can offer exciting and graphically enhanced motifs, patterns, colour and form that would otherwise have only been applied to the walls of a derelict building or any accessible public surface on which to paint.

Artists such as Keith Haring, Jean-Michel Basquiat and skateboard artist Shepard Fairey have recently had their creations applied to Modernica’s ‘Case Study’ chairs, originally designed by Charles and Ray Eames, giving these timeless, modern-classics an alternative way of life.

Thanks to Banksy, the street style has become widely accepted for its creative contributions and output. Therefore, it’s not uncommon to see the urban ‘out’ creeping ‘in’ by way of graffiti inspired feature walls, whether for the home or the office.

Back in 2015 Ray-Ban collaborated with collectable street artist ‘Mr Brainwash’ applying his distinctive splattering of paint to their iconic frames.

But street style doesn’t have to mean complicated, political or overworked.

These modern creations by French artist ‘Remi Rough’ (below) and Portuguese Street artist Vhils (bottom) use clean lines and textures to form their sublime creations. Both artists sell through galleries internationally and have had their work commissioned for architectural projects worldwide.