Arup also worked on the Opera House and the two men met during the early stages of its design, culminating in Ahm asking Utzon to design his home which he built in Harpenden, Hertfordshire from 1961-3. It was to be Utzon’s only completed project in the UK.
This low-lying Pavilion of concrete and brick unfolds to dramatically reveal floor to ceiling glass bringing the secluded, mature gardens into the classic mid-Century space. In the words of architecture critic Hugh Pearman “Probably the best Modern house in the world”.
As Ahm’s family grew, a later extension was added by Ulrik Plesner in association with Christopher Beaver Associates in 1972-4.
Now Grade II listed, from the street the house gives nothing away, dominated by its car port (and the later garage which formed part of the Plesner extension)
Ahm’s widow sold the house after his death in 2005 and it was sold again in 2016. The new owners wanted to maintain the character of the home and employed Architects Coppin Dockray to work on the interiors which have been sensitively restored. The restoration went on to win the Wallpaper* Design Award 2019 for Best Remastered Building.
Fast forward to Autumn last year and our shoot which featured Deirdre’s PLUMES, HARLEQUIN, MANDARIN, BURLESQUE and FEATHER BOUND rugs – Deirdre and Edison knew something special would unfold when they attended the shoot at the Ahm House and the finished photographs by Michael Sinclair are testament to that.
There is no better way to bring life to your interior than commission a perfectly proportioned hand knotted luxury rug, custom designed and coloured to suit your space.
The right rug anchors a room, can create a template for the colours used in an interior, frame a piece of furniture, ‘zone’ a space or be a focal point in itself. Within Deirdre Dyson’s Rug Collection there is something for every scheme.
We’ve selected five of Deirdre Dyson’s luxurious bespoke hand knotted rugs to show how the right design can really bring a space to life.
This dynamic design uses three colours, one wool and two silk, making it an easy rug to incorporate into any interior.
It’s the intricacy of this hand knotted rug that truly brings it to life, with a lower pile height and the careful carving of elements, this fine rug sits comfortably in a traditional or contemporary context.
An apparently simple design that actually uses five colours in the silk ‘bars’ which can reflect the colours used in your interior, dialling up or down the colour to suit the mood of the room.
In this light and airy open plan penthouse apartment, a range of blues reflect not only the blue supporting columns and the furniture and accessories selected by the owner but also the sky outside.
The carpet also zones the seating area bordered by an L shaped sofa, whilst glass coffee tables are cleverly used so the view of the entire rug design is unobstructed, adding to the light and airy feel of the space.
What better way to breathe life into a room than bring the outside in? The rich palette of green silks used in FOREST MOSAIC would bring an organic freshness to any interior, particularly restful tones for a bedroom or sitting room.
Mosaic is one of Deirdre’s signature motifs and the intricacy of mosaic carpets allow the introduction of several colours which can have varying tonal shifts – for instance ROSE MOSAIC uses graduated reds and pinks whilst the mosaic effect adds a contemporary edge to the floral theme.
This modernist hallway is lifted by the bold primary colours in Deirdre’s HARLEQUIN hand knotted rug from this year’s PLUMAGE Collection.
The pops of red, black and white provide focal points and elements of drama contrasting with the strong blue shades in its wool/silk mix background and work perfectly with the stark simplicity of the brickwork walls and carefully selected furniture and objets.
The graded silk copper bars in this hand knotted design reflect the burnished metal fence enclosing the patio outside and the graded blue wool reflects the sky.
Referencing the outside expands the sense of space in this narrow room, cleverly creating an optical illusion as the design is also reflected in the large expanse of glass.
Deirdre Dyson’s colour choices in this rug lifts this otherwise stark garden room and gives focus and softness to a space that could otherwise seem austere and unwelcoming. The perfect place to relax on the classic Eames lounge chairs!
As with all interior genres, the huge variety and range of rug styles available on the market can be daunting – from flatweaves to Kilims, antique Persian carpets to modern fibres such as Bamboo silk. The choice available can seem overwhelming.
Deirdre Dyson’s preferred method of manufacture for her bespoke rug designs has always been the ancient process of hand knotting. The qualities of hand knotted rug are many and for sheer luxury they are hard to beat.
A bespoke rug is a big investment and must stand the test of time. Hand knotted rugs provide longevity and integrity whilst providing the best medium to showcase Deirdre’s unique contemporary designs and colour selections.
THE TOP 5 BENEFITS OF HAND-KNOTTED RUGS BY DEIRDRE DYSON.
Craftsmanship – From the weaving process through to the hand spun yarn, hand knotted designs are created entirely by hand.
Unrivalled Quality – With the knot count making unravelling impossible, hand knotted rugs are created to last a lifetime.
Luxury – The high number of knots per square inch mean that the rugs never feel flat.
Bespoke design – Every Deirdre Dyson carpet is unique with the size, colour, design and materials available for custom selection.
Produced with the highest ethical standards – All carpets are produced ethically thanks to Deirdre’s partnership with Goodweave, a charity working to end slavery in the carpet industry.
Deirdre’s designs begin by hand and are created entirely by hand. Our artisan Nepalese weavers use skills unchanged over the centuries and hand-crafted tools to weave each carpet knot by knot.
Quite apart from the intricacy of the weaving process itself, the layers of expertise involved in the creation of one carpet is incredible – from hand spinning of the raw yarn, which is then precisely coloured by the Dye Master, to the intricate mapping of the original design which creates a template for the weavers to work from and finally to the finishing – an art in itself – the careful trimming of the carpet to the correct pile height, the carving of design elements and ultimately the carefully stitched edging.
The knot count of a Deirdre Dyson carpet means unravelling is impossible – each knot is unique and design and colour is replicated exactly. Deirdre Dyson carpets and rugs are of heirloom quality and designed to last a lifetime.
Deirdre’s close relationship with our manufacturers ensures her designs and colour selections are reproduced faithfully no matter what the scale of the finished carpet.
The Tibetan wool and Chinese silk used in Deirdre Dyson’s carpets is of the highest quality – processed entirely by hand to strictest quality standards.
As natural fibres, colour takes to wool and silk in a very different way to manmade fibres – there is a softness and depth which contrasts sharply with the brashness of coloured synthetics.
In Deirdre’s graded carpets the art of hand knotting really comes into its own – the subtle shift between the tones selected by Deirdre is only best realised in the delicacy of hand knotting, so beautifully illustrated in this year’s EAGLE rug.
Nothing quite matches the feel of 100% Tibetan wool and Chinese silk underfoot. The dense 100 knots per square inch (unbelievably an area the size of a postage stamp) creates an opulence which is impossible to replicate with man-made fibres or machine techniques.
We always encourage our clients to visit our Kings Road gallery to touch and feel Deirdre’s carpets in person – the lustre and decadence of a hand knotted rug contributes to the overall effect of the rug’s design. A hand knotted rug will never feel ‘flat’, the depth of the pile and quality of materials adds to the intensity of colour and drama in the finished carpet.
Each Deirdre Dyson carpet is by its nature unique. The size, colour choice, design and mix of wool and silk can be custom selected to your exacting choice.
Even when Deirdre’s versions of designs are recreated exactly to knot precision as a handmade product no two can ever by 100% the same.
Dye takes to natural fibres in a very special way – the naturally occurring subtle tonal shift of ‘abrash’ is unique to hand knotted designs and occurs over time.
This is a natural phenomenon that cannot be deliberately produced and has been sought after in carpet design for centuries and is something that sets hand dyed, hand knotted carpets apart.
Ethics and Sustainability:
You can rest assured all Deirdre Dyson hand knotted carpets are produced to the highest possible ethical standards. Deirdre is a proud partner of the charity Goodweave, whose aim is to end slavery in the carpet industry and beyond.
Goodweave undertake spot checks to ensure no child labour is used in the manufacture of our carpets and ensure working conditions and schooling is available to weavers and their families.
Additionally, weaving provides a vital income to many Nepalese families, particularly women most especially since the devastating earthquake of 2002.
Deirdre is proud to support artisan skills and produce rugs and carpets using ancient skills at the same time empowering and improving the lives of the Nepalese weavers and their families.
As an entirely bespoke product, no two designs will ever be exactly the same, whether hand knotted or gun tufted, Deirdre’s carpets are made to last and the ancient processes involved in their manufacture take time.
Each year Deirdre creates a new themed rug collection, but these designs are just the starting point, Deirdre Dyson rugs are infinitely customisable – colours, size, composition and the design itself can all be altered to suit a client’s exact requirements.
Whether Deirdre’s colour choices are perfect for your scheme or if you want to create your custom version of a rug design, the process remains the same and the result is a luxurious, heirloom quality rug or carpet of your own.
THE CREATION OF A COLLECTION:
Deirdre’s carpets begin with a simple, hand coloured, pencil drawing.
Over the year’s Deirdre has sought inspiration in nature, the sky, sea and shoreline, stones, flowers, leaves and trees to the abstract – geometric and organic forms or the refraction of light.
Working with her Designer Nichola to digitise the design, together they refine it if necessary and add Deirdre’s carefully selected colours to precisely match her vision for that rug.
Colour is of course key. Deirdre selects from over 5,000 colour poms in wool and silk – her ‘paint box’.
This is a considered process, where the colours are observed in different lights and times of day to accurately reflect their relationship with each other and realise Deirdre’s concept perfectly.
Deirdre’s eye for colour is fundamental – as a Fine Artist she has both the innate skill and technical knowledge to find just the right juxtaposition of colours or the perfect tones to create an intricate colour grade (the subtle change of colour from dark to light as seen in rug designs such as EAGLE pictured below)
Digitally colour matching Deirdre’s pom selection is a highly skilled task, Nichola has worked with Deirdre for almost twenty years and no amount of technology can mimic her colour matching abilities, which again can take days to refine, dependant on the hours of daylight available and how the colours appear in different lights, both on screen and in print.
Nichola’s accurate digital versions of the rug designs are stored for future adaptation and exact colour-perfect print versions are approved by Deirdre (or a client) before manufacture.
Once the design is finished to Deirdre’s exacting standard, it is sent to our trusted weavers in Nepal or, if gun tufted in 100% wool, to our manufacturers in Yorkshire.
We have long standing relationships with both and Deirdre has a strong, personal rapport with each. Communicating new design ideas involves close discussions regarding the technical elements involved.
Gun tufting is by far the quicker option (though no less careful and considered) and generally the suggested method of production for commercial projects or areas with higher footfall.
Given the limitations of tufting however, not all designs are suitable for this type of manufacture.
As with hand knotting quality control is paramount, with colour meticulously matched and designs executed to millimetre perfection.
However, Deirdre Dyson is primarily known for her hand knotted rugs and has built her brand’s reputation on their luxurious quality.
The vast majority of bespoke rugs and all collection carpets are hand knotted by our weavers in Nepal using traditional techniques which are indigenous to the area and have been passed down through the generations.
Hand knotting creates a dense, luxurious pile but allows for the finest of detail and subtle colour transitions which are impossible to replicate by machine.
The art of hand knotting not only takes skill and patience, it involves age old techniques and tools which have remained unchanged over centuries.
Climate is crucial to the process, as heat and sunshine is essential; from fixing dyes to drying and stretching the finished carpet, therefore the Monsoon season from June to August prolongs production time.
Additionally, weavers observe religious holidays and don’t work during these periods (particularly in January and February) Ultimately these carpets are intrinsically linked with Nepalese traditions and the Nepalese way of life.
Deirdre Dyson is a long-time partner of Goodweave ensuring no child labour is involved in rug making and that the highest level of work practices and standards are maintained for weavers and their families.
All Deirdre’s chosen colours are colour matched exactly, amazingly this is all done by the highly skilled dye master by eye.
The dye master mixes scrupulously measured quantities of pigments to create accurate dyes. The hand carded Tibetan wool and Chinese silk is then turned by hand in vats of the dye until precisely the right shade is achieved.
The dyed yarn is then allowed to dry naturally. As it dries the heat of the sun fixes the dye which is then spun by hand to the correct ply and thickness.
Meanwhile, exact mapping of the design has taken place to create a template which hangs above the loom from which the weavers work.
This intricate graph carefully maps the position of every knot and colour change within the design, all painstakingly reproduced from Deirdre’s original and replicated by the weavers by eye.
The hand knotting process itself is incredible to watch, the speed and dexterity of our weavers is truly astonishing, especially where there are complex grades (such as SEA WASH pictured on the loom below) or intricately detailed carpets with fine lines (such as PLUMES)
The weaver’s create knots on the vertical ‘warp’ threads using a metal rod, an incredible 100 knots fit the area of a postage stamp which gives an indication of the intricacy involved.
Once a row is complete it is hammered tightly on to the row below and the yarn is cut to create a rough pile.
When weaving is complete, each carpet is carefully washed, stretched and dried in the open air then precisely trimmed by hand to the correct pile height.
The fascinating and intricate carving process then takes place, where specific design elements are carefully clipped around to create definition.
Finally, the carpet is bound around the edges with matching yarn and our leather Deirdre Dyson label is attached.
Once approved, the carpet is then ready for packing and shipping back to our gallery in London.
A standard size rug will take approximately 14-16 weeks to complete from artwork sign off – with the production time rising depending on size and complexity of design.
Each element in the creation of your rug involves skill and a level of precision which cannot be rushed, this is ultimately an artisan process assisted by technology but not necessarily expedited by it.
The crucial elements of rug design and making are slow and considered and stand out in our world of mass production and instant gratification, the wait is worth it and the result is of the highest quality and designed to last a lifetime.
2019 marks the centenary of the Bauhaus, one of the most significant movements in art and design of the 21st Century.
In 1919, Walter Gropius became the director of a new institution created from the merger of two art schools in Weimar. This new school, the Staatliches Bauhaus, was to be known simply as the Bauhaus. Even though Gropius was an architect and the term ‘Bauhaus’ literally translates as “construction house,” it did not solely concentrate on architecture, it was a school encompassing all elements of art and design.
Gropius aim was “to create a new guild of craftsmen, without the class distinctions which raise an arrogant barrier between craftsman and artist.” Combining influences from modernism, the English Arts and Crafts movement, and Constructivism, Gropius promoted the idea that design was to serve the community and exist in its purist form, epitomised in the Bauhaus principle ‘Form follows function’.
The interdisciplinary nature of the Bauhaus realised the concept of “Gesamtkunstwerk,” or complete work of art, meaning the visual arts, graphic design product and furniture design as well as architecture combined to create a cohesive environment comprising simple, elegant geometric shapes, solid colours and minimalist spaces.
Having moved over the course of its existence from Weimar to Dessau and finally Berlin, the Bauhaus was closed by the Nazis in 1933 for producing ‘degenerate art’. Despite this suppression, the Bauhaus lived on and it’s ideologies spread as many of its staff and students fled Germany bringing the school’s idealistic concepts with them, influences that continue to have an impact on design today.
Despite being known as a minimalist discipline, The Bauhaus felt an understanding of colour was of paramount importance and colour theories taught as part of the school’s foundation course by artists Johannes Itten, Wassily Kandinsky, Paul Klee, and Josef Albers formed the basis of contemporary colour theory. This included expanding the colour wheel, developing ideas of colour contrast, exploring the psychological effects of colour and their spiritual and transcendental nature.
Like any colourist, Deirdre Dyson’s designs inadvertently pay homage to the Bauhaus concepts and artists, with both the application of colour theory and form but some of Deirdre’s rug designs really do make a more obvious nod to the movement, none more so than ANGULUS with its stark geometry and solid colours.
Several of Deirdre’s designs or bespoke reworkings never make it to the loom, so for a bit of fun, we’ve trawled through the archive to find some other Deirdre Dyson designs which illustrate Bauhaus principles of form and colour, here’s what we’ve found.
We love revealing Deirdre’s new rug designs at Maison & Objet every January but by contrast, Deirdre’s annual UK collection launch, held here in the intimacy of our Kings Road gallery, is by far the highlight of our year.
The evening gives Deirdre a chance to catch up with valued friends of the brand as well as clients old and new and introduce her carpets in person whilst guests can touch and feel the incredible quality of the finished designs, see the lustre of the silk and the true colours which are always best viewed ‘in the flesh’.
This year’s collection inspired by the hues and patterns of birds and their feathers, is a riot of colour and contrast and provoked much admiration and discussion. As did Deirdre’s first carpet artwork, UNBOUND, created in a limited edition of three and intricately handwoven in 32 colours of wool and silk.
UNBOUND was recently included in The Luxury Cave launch event at the Design Museum and was so overwhelmingly well received that Deirdre is now working on another limited-edition wall piece, more details to be revealed soon.
Flowers by Clayton at Strudwick Flowers provided the perfect backdrop to the evening’s festivities. Deirdre had requested natural arrangements with fluid forms reflecting the designs on display and Clayton fulfilled this brief perfectly, picking up the reds in both HARLEQUIN and UNBOUND on the first floor and the golden and buttery tones of GOLDEN PHEASANT and BURLESQUE on the ground floor.
This year guests enjoyed lavender cocktails selected by Edison to compliment the purple found in Deirdre’s new QUILLS rug design, Champagne and Dyson wine together with delicious canapes by Aquashard such as mushroom arancini, steak tartare and mini fish and chips. Guests were extremely well looked after by Aquashard’s John Wiltshire and his team.
The gallery, designed by Architect Timothy Hatton (pictured) comes in to its own at night and the wonderful atmosphere led to a very special evening celebrating another stellar rug collection by Deirdre.
Last month Deirdre joined a host of hand-picked luxury interiors, fine art, couture and automotive brands exhibiting at ‘Curation of the Finest’, a collection of rare and one-off contemporary collectables and objects, showcased by Luxury Cave at London’s Design Museum.
Deirdre Dyson in front of her UNBOUND limited edition carpet artwork.
Luxury Cave‘s aim is to ‘present a new viewpoint of luxury that focuses on objects that speak of craftsmanship, emotion and investment of time.’
Deirdre Dyson’s carpets fulfil this brief perfectly – the combination of Deirdre’s sketches and colour selection realised as carpets through the age-old craft of hand knotting by artisan craftspeople and the bespoke process, cannot be rushed, assisted by but impervious to technological advances. This is slow design at its finest.
Deirdre was excited to create and unveil her first ever Carpet Artwork exclusively for the event.
The ultimate expression of her background as a Fine Artist and Carpet Designer – UNBOUND will be created in a limited edition of three (the first of which is available to purchase exclusively via the Luxury Cave website)
Deirdre took inspiration from ‘the rising steps to freedom and breaking away from the ties that bind us’ and the piece is a joyous juxtaposition of colours hand knotted in wool and silk.
Deirdre also exhibited her intricate PLUMES carpet from this year’s PLUMAGE Rug Collection, bespoke versions of which will also be available exclusively through the Luxury Cave website for the next three months.
Deirdre Dyson’s PLUMES carpet on exhibit at the Design Museum, London
PLUMES is a masterly intricate carpet design of interlocking feather barbs on a deep navy background with striking turquoise tips, the fine detail of which posed a real challenge to our incredibly skilled Nepalese weavers.
Both pieces, as with all Deirdre Dyson carpet designs, are Goodweave certified.
Other exhibitors and curated objects included Fine Jeweller Fabio Salini, fine art by Lucio Fontana and Alighiero Boetti, the intricately embroidered handbags of Parisian Designer Carole Tessier’s label ‘Preciously Paris‘, Auto Fabrica, Furniture by Studio Drift, Thomas Heatherwick and Pinto Paris, the Aston Martin Lagonda and Fashion Designer Mary Katrantzou celebrated the 10th Anniversary of her brand as part of the event.
Luxury Cave’s Chanda Pandya and Darren Miller with Fashion Designer Mary Katrantzou in front of Deirdre Dyson’s UNBOUND artwork and PLUMES carpet.
Created by the perfect combination of color, energy and shape, Souk mirrors reflect the influences of overwhelming and visually fascinating Souk markets in northern Africa with its vibrant fringes and earthy colors resembling typical macramé techniques, spotted on the Dooq stand.
Fun gin bottles on the Sieger by Furstenberg stand who employed a Mixologist to create delightful cocktails in their wonderful crystal!
Brand new colour variations and a different take on cut glass in these lamps by Vista Alegre
Deirdre’s new rug collection has received a wonderful reception at Maison & Objet Paris, where eight of nine new designs on display in Hall 8, stand A32 were showcased on a custom made, towering stand painted with Argile paint colours selected personally by Deirdre to complement each of the new carpet designs. Deirdre relishes the opportunity to be on the stand at Maison meet clients and discuss the designs and their inspiration.
Yet again Deirdre has pushed the boundaries of the art of hand knotting to create very distinctive designs using pops of colour (HARLEQUIN), intricate detail (PLUMES/FEATHER BOUND/QUILLS) or colour grading (GOLDEN PHEASANT, EAGLE) from the abstracted (MANDARIN) to the figurative (FLIGHT) creating a new collection that celebrates her instinctive eye for colour and cleverly plays with the shapes and forms of birds and their feathers to create unique designs.
Each design uses varying amounts of silk to mirror the shimmering nature of bird’s plumage and Deirdre’s chosen colour palette is shot with vibrant hues that give the organic forms a 3D quality.
Bordered rugs such as BURLESQUE and FEATHER BOUND are endlessly adaptable – for use under a dining table or bed whereas the bold Studio 54esque GOLDEN PHEASANT makes a statement all of its own as does the elegant scale of the exquisite EAGLE.
Last year’s HORIZONS Collection played with scale and Deirdre continues this trend with the largest carpet on display, EAGLE mirroring the wing span of its namesake, an impressive 3.4 metres wide.
As with all Deirdre’s designs these sample carpets are just the start, each design can be created in any colourway or size required and most designs can also be gun tufted in 100% wool should the client or space require it.