The wonderful gallery, in the historic Saint-Germain des Prés is a calm and inviting space, designed by celebrated Interior Designer Remi Tessier, working closely with Deirdre to tailor make a perfect interior in which to showcase her luxurious hand knotted rug designs.
Deirdre has chosen a selection of rug designs including a superb large-scale version of this year’s TRANSPARENT together with LIGHT FRAGMENTS and a stunning new working of partner versions of DAWN in alternating blue and red wool and silks.
Deirdre’s Parisian representative Julia will be on hand to guide clients through the designs and advise on design and colour choice.
Continuing our exploration of inspiration and what keeps us #INspired, Deirdre draws inspiration for her designs from myriad sources but one recurring area of fascination is water – be it BULRUSHES reflected in a lake or lapping water on the shore in SEAWASH.
We thought exploring some of these rug designs would be fascinating – the source of inspiration being fundamentally the same, the designs themselves could not be more different.
One of Deirdre’s more figurative designs and one that has captured people’s imagination and become a classic and was inspired by Deirdre’s painting of the same name.
This rug features the naturally abstracted forms of bulrushes, their bending shafts reflected and refracted in lake water.
Deirdre uses a graded wool/silk mix background to recreate the skyline and lake water which merge on the horizon to create this perfectly framed design. The finished rug is so captivating one client choose to hang it on a wall of their home.
BULRUSHES won both the International Wool Carpet & Rug Awards (Design Sector) 2017 and the International Design & Architecture Awards (Flooring, Carpet & Rugs) 2017.
The success of Deirdre’s SEAWASH rug design is all in the grade – which required Deirdre’s exceptional eye for colour to achieve this seamless ebb and flow effect.
Originally Deirdre designed the carpet in two versions, INDIGO (above) and BEIGE (below) which have become favourite designs amongst clients, we have created both large scale carpets and runners from this endlessly versatile design.
SEAWASH comes alive hand knotted in lustrous 100% silk (as in the versions above), providing the perfect watery, iridescent finish but has also been recreated several times using varying colourways in hand knotted and gun tufted 100% wool versions.
In NAUTICAL Deirdre again treats her source inspiration completely differently – abstracting sea water into fluid but solid geometric shapes, creating a feeling of depth and movement by alternating the same colours in wool and silk.
Clients can of course change these colours from the original water based palate but fundamentally this ‘breaking down’ of the sea to its most basic elements is the key to this design.
Whilst not strictly inspired by water itself, the first of Deirdre’s mosaic designs was inspired by mosaic lined Roman ponds, the intricacy of ROMAN POND poses a challenge to our weavers as the thin lines of wool ‘grouting’ around the ingots of silk are incredibly complex to achieve (and individually carve out) but the finished effect is stunning.
The everyday source inspiration for this rug only adds to its allure – RIVULETS mimics the trail of rain drops on a window pane – the simplest of inspiration led Deirdre to this wonderfully subtle graded design.
Part two of Edison’s blog post on behind the scene facts about the unique and timeless quality of your bespoke hand knotted rug.
Your Carpet could be an antique of the future.
Our carpets are made to the highest standards and are heirloom quality pieces that will be enjoyed and appreciated as much in the future as they are today. As a trained artist, Deirdre Dyson approaches every design as a work of art, each being able to compliment the breadth of different interior styles and trends. Hand knotted carpets also hold their value very well.
Quality materials make a quality product.
Quality is key. From Deirdre’s initial ideas and design sketches, to the materials employed and the skill of our weavers and London team, we make sure that only the best factors and considerations are invested into creating carpets for your home and interior space.
A design consultancy service is available at our London gallery which is located in the heart of the Chelsea Design Quarter. We are here to assist and guide you in making the right choice and using the best combinations of materials and colours (from 5,000 available colours).
The Tibetan wool used in our carpets are rich in natural oils, making them not only soft and naturally stain resistant but also very hardwearing. The superior Chinese silk that is incorporated into many of our designs is smooth, cooling and full of vibrancy.
“Time is what we want most…and what we use best”.
Okay, so we’ve adapted the old saying by William Penn, but we think it describes our work ethic well, as every carpet creation requires time and consideration.
The design process in adapting and creating designs for our clientele takes as long as it takes to make our customers dream a reality but generally from sign off, a carpet will go into production and be ready within 3-4 months (as a general guide to lead time). We use the latest design technologies available in the carpet industry and for every carpet we make, a full-sized graph of the design is produced and hung from the back of the loom, for guidance precision. These graphic sheets look like works of art in their own right and are protected to ensure that they can’t be copied or reproduced elsewhere. We take copyright infringement very seriously
The finished carpet, hand knotted in graded wool with silk
At Deirdre Dyson carpets limited, we want to share with you as much useful information as possible, so our website is full of valuable tools, tips and advice. Take a look at the current collection or browse our extensive catalogue in the design library section. We’ve made finding a suitable design very easy. Our price calculator will help you cost up a design as well as offer some useful information on sizing. Please remember that nothing is set in stone as all of the designs available are bespoke and can be adapted which may affect the sqm price.
Why not take a closer look at the production process on our video links and find more information about Deirdre herself and what we’re generally up to by visiting the profile and blog pages which are regularly updated.
A two-part blog post where Edison reveals some fascinating facts about our hand knotted rugs, their history and production…
The history and production of carpets goes back centuries and there are countless facts, tales and accounts of the evolution of carpets from past times to the present day.
At Deirdre Dyson Carpets Limited, we pride ourselves on supporting the ancient technique of hand knotting on the loom, using only natural wool and silk. This combination of traditional craftsmanship and modern design, guarantees the livelihood of our Tibetan makers (the majority being women) and supports their local communities, whilst guaranteeing our customers a unique, quality product that is both timeless and exclusively theirs.
Historically, carpets were not used on the floor but were used as textile coverings for walls and tables and only became associated with floor treatments in European interiors from the 15th century onwards. The term “carpet” is widely used interchangeably with the term “rug” although nowadays we typically refer to smaller, free standing pieces as rugs. But who say’s rugs should only ever be small?!?
Behind every Deirdre Dyson carpet lies a story and here are a few interesting facts and snippets of information that you may not be aware of but might be interested to know more about.
Take a look from behind.
The best way to appreciate the skill of making a quality hand knotted carpet is to take a look at the back, an area of the carpet so many of us rarely focus on. It’s from here that you really understand just how many knots it takes to make a rug, and the particular time and skill required when changing or grading colours across a large area. It reminds us of just how unique each bespoke carpet is; each one being entirely handmade and finished.
On the back of every Deirdre Dyson carpet, you’ll also find the ‘Goodweave’ label, with a unique code to ensure your carpet was made ethically and in line with Goodweave standards. Additionally, through our Goodweave membership, a percentage of our profits go back into local community projects such as schooling and education for the young. By purchasing our carpets, you are directly supporting the Nepalese carpet industry and communities in a positive way.
Custom made is best.
With the environment on everyone’s minds and lips, a bespoke carpet offers one of the best solutions for interior decoration.
Being custom made, we’re creating a carpet that is tailored to your needs in size, shape, design and colour and therefore you will most likely want to treasure it for a long time. Custom made also decreases unnecessary waste, as every rug is created on a ‘made to order’ basis. Our carpets are knotted in the traditional method just like antique carpets but are created with contemporary style and superior materials that are made to last.
Last summer I found myself mesmerised by everything I could see through glass and water, particularly on holiday where the sun made everything glitter.
I decided to try to make my designs seem ‘glassy’ even though I was working in wool! If I failed, I might create something unexpected – I love the challenge of the unknown result and you only discover if you explore.
I started with two little rectangular vases of different colour, photographed them and analysed the colours they created when they were overlapping each other.
I designed two simple geometric shapes representing the cubes and inserted the exact colours from my palette of wool poms to represent where the two colours overlapped which gives the illusion of looking through glass.
I finished the piece with wide silken borders to add the shine and glitter of glass. I was hugely surprised and excited at the finished carpet which really looked glassy and also very three dimensional. This encouraged me to explore several different ideas about glass.
The next attempt led on from this overlapping idea. I didn’t even need real glass, I just created four shapes, selected four colours and overlapped them creating the colour I imagined would occur if they existed.
What made this carpet successful was the grading I decided to do within each piece. I had to select about 8 grades of each colour to grade from dark to light, and from the outside in, to give the illusion of seeing through the glass.
This was the first time that we had tried to grade within a random shape which was very difficult to specify for our craftspeople and a new challenge for them too. Again they succeeded and have given me a new skill to work with in the future.
TRANSPARENT was designed from an existing vase with various shapes and colours in the glass.
I created my own shapes and colours and again looked for the overlapping colours that I knew would occur. Because the inspiration was a vase I added some silk highlights to represent light against the outside of the vase. Each of these highlights was a paler colour of the colour underneath.
I have a very simple water flask and thought of two different things that I could do with it. One was to paint exactly what I could see inside through the water which were random abstract shapes and colours which looked distorted and bent through the water and also to add highlights again of paler colours and in silk as seen on the outside of the vase.
The second idea was to paint what was behind the vase ie. boat rigging and blue cushions with reflections on a shiny table and then paint the distortions of these within the flask without drawing the outline of the flask. I knew from exercises in my student days that without trying, the flask would slowly appear and it did, and it does in the carpet, although I made the colours within the flask a tiny bit paler to help it reveal itself.
I had used a great deal of colour in the collection so finally decided to do some monochromatic grading with a path of light and two simple glassy bars in silk that you feel you can see through as they pass over the greys and light between.
This was an accidental idea caused by placing a plain glass bowl, which had a glass ball as its base, on top of a patterned glass plate. This created a magnification which I decided to represent in silk with just a tiny lightening of the colour inside the area.
On a visit to the Amalfi Cathedral and in one of the small rooms at the back behind all the magnificence of marble and gold was a small plain window high up with beautiful, simple pale colours. The light behind it made it impossible to photograph but the colours stayed in my mind and I thought that in silk, it might make a lovely wall hanging for a windowless room.
Chelsea Physic Garden is a fascinating place established in 1673 by Apothecaries, the oldest botanical garden in London and an oasis by the Thames which occupies a four-acre plot beside Chelsea Embankment.
The garden includes over 5,000 different edible, useful and medicinal plants including numerous rare and endangered species.
Thanks to its warm micro climate, the garden features the largest outdoor fruiting olive tree in Britain and the world’s most northerly outdoor grapefruit tree. From pomegranates to ginkgoes, mulberries to eucalyptus, there are over 100 different species of tree in the Garden, many of which are rare in Britain.
The historic Glasshouses hold a collection of tropical and sub-tropical species, complemented by a Victorian Cool Fernery.
Enjoy some of Edison’s fabulous photographs of the plants on view in stunning autumnal light, particularly some fantastically sculptural succulents!
Edison’s concept of double height banners making the most of the gallery’s atrium ran to 19m and Jan’s bold ‘Zebramane’ brushstrokes create an eye catching backdrop for Deirdre’s rug from this year’s PLUMAGE Collection and Jan’s customised tops for Stephenson Wright’s Plink and Plonk tables, their black scalloped bases reflecting the monochrome banners and black detailing in Deirdre’s rug design.
Elle Decoration described the above image as ‘Studio 54-esque‘ with the vintage brass desk sourced by Louisa and the iconic Platner armchair upholstered in dusky pink, picking up one of the vibrant wool grades in the carpet design.
The chair was originally designed for Knoll by Warren Platner in 1966 and is still in production today.
The striking sculptural form is created by curved steel rods on a semi-circular frame and is a classic of mid-Century modernist design, described by Platner as ‘decorative, gentle [and] graceful’
The construction is hugely complex and technically challenging – the bases are made of hundreds of rods, and for some versions, more than 1,000 welds are required in construction but the effect is simply stunning and has stood the test of time.
Platner was an American Architect and Interior Designer and designed up until his death in 2006. One of his most famous interiors was the original Windows on the World restaurant on top of New York’s World Trade Center North Tower, which incorporated several different variations on this chair in the reception areas.
Described as looking like a ‘shiny sheaf of wheat’ in the original Knoll catalogue, the structure adapted to love seat, stool and fully upholstered easy chair and ottoman versions which combined lightweight form with comfort. The design was also adapted as tables with the same cylindrical base and even lamp stands in myriad different metals and finishes.
A hand knotted rug is a significant investment, the time, effort and skill involved in creating your custom rug or carpet cannot be rushed and depends on the highest-level artisan skills of our Nepalese weavers.
Hand knotting has always been Deirdre Dyson’s preferred method of rug manufacture and as a skilled artist, the choice and selection of colour is imperative.
The processes involved in creating a hand knotted rug cannot be rushed, starting with the initial design consultation and design work which takes as long as required to realise your perfect rug design and colourways.
BESPOKE involves a considered tailoring of a specific design to meet the requirements of each and every customer. Choosing the correct colours so that each carpet compliments rather than fights with your space is crucial.
The finished rug should feel that it belongs, just like the shawl for a dress or a style of shade for a lamp base, this element of the design process is probably the most important part of a carpets’ creative journey.
All of our hand knotted rugs are created from or inspired by one of Deirdre’s original rug designs in your preferred size and our hand knotted rugs are woven in 100% Tibetan wool and/or Chinese silk with the direct input of Deirdre and her experienced team.
With over 5,000 available colours, it can seem quite overwhelming when faced with such a selection. But our trained expert eyes are here to help, guide and assist you in your selection.
Take the colour red for example. We have many to choose from ranging from vibrant to muted, creamy to spicy, those that sit back or those that jump out; there are more variants of red than you could dare to imagine.
Selecting the right tone to match to your curtain fabric, a painting on the wall or not to fight too much with that grey sofa are some of the considerations we take into account when developing your bespoke carpet.
Our colour reference library is made up of ‘poms’ that are perfectly proportioned to take on our consultations and to use freely around the design studio at 554 Kings Road. An industry standard reference tool, our library is the equivalent of Pantone for the fashion world and is regularly updated and constantly expanding.
A selection of Deirdre’s designs incorporating a red colour palette clearly demonstrates the variations of effect on the finished piece. From the sublime grading of reds to blues in the DUSK design and the transition from reds to pinks in ROMANCE are studied, soft and fluid.
Whereas RUBY and SHIMMER use contrast of reds to emphasis shape, direction and geometry.
Just as much work and consideration goes into every rug we make for our customers as goes into making our original examples which are on display at the Kings Road gallery.
Ultimately Deirdre Dyson’s rugs are heirlooms and designed to last.
Wool and silk are by nature robust materials and by following our care instructions these rugs can be enjoyed for generations.
When you buy a bespoke hand knotted rug you are purchasing a contemporary collectable, an artwork for the floor which transcends trends and changing fashions.