Skip to content

Click here to subscribe and ‘opt-in’ to Deirdre Dyson emails about news, events, collections and our blog Dismiss


Share this post

Deirdre Dyson Exclusive Collaboration with Rinck Paris

Deirdre Dyson is one of the exclusive brands selected by Rinck Paris for their curated collaboration At Home with a Connoisseur #chezunconnoiseur,  a space filled with the best of contemporary art and design selected by Rinck in collaboration with tastemaker, and Deirdre Dyson French representative, Julia Van Hagen.

Having recently opened a showroom in nearby rue des saints-pères, Rinck selected two of Lady Dyson’s rug designs from this year’s LOOKING GLASS Collection – the bold and graphic SLIVERS and vibrant, organic TRANSPARENT, both hand knotted in Nepal in the finest Tibetan wool and Pure silk.

The curated space includes the latest addition to Rinck’s Félicité collection, a monumental bronze ceiling light, suspended above a table from the same collection.  This is juxtaposed with a period 1940s sideboard, typical of a late Art Deco style that brought the house such success in the post-war period. Above the sideboard are a further two wall lights from the Félicité collection, uniting these two Rinck designs separated by seven decades of history.

Facing this sideboard, Savannah Bay Gallery contributed contemporary stools by the Zieta Prozessdesign Studio, home of Polish architect Oskar Zieta. Constructed in sculptural stainless steel with the studio’s Heat finish, they are an inspiring combination of technological innovation and contemporary design. This Paris gallery, always on the lookout for truly dedicated designers, also supplied two table lamps in laminated dichroic glass, the work of Buzao Studio.

The interior was painted by the skilled artisans of Argile and features two of the Paris specialists’ custom shades, Atelier Red and Scala, creating the perfect bold backdrop for the beautiful objets on view.

The exclusive wallpaper is from celebrated English company Fromental, “The Classicist Sketchbook” is a collaborative new design, inspired by full-scale sketches from Rinck’s design archive.

To enhance the space imagined by Rinck, Julia Van Hagen chose a series of potent modern works, with a photograph by Egyptian artist Youssef Nabil, a mixed-media work by New York painter Borden Capalino, a canvas painted in malachite ink by Californian Matthew Brandt and a painting by Jonathan Monk.

This unmissable design event, co-inciding with Paris Design Week takes place from 3rd – 24th September  at 21 Rue Bonaparte in Paris by appointment.  To arrange your visit please contact julia@deirdredyson.com or take an in-depth virtual tour here!


Share this post

The Beauty of Simplicity – Deirdre Dyson finds inspiration inside for her 2021 Rug Collection

We’ve focused on creativity and staying #INspired during lockdown.  Deirdre has also been busy, using this time at home to work on next year’s rug collection.

Initially started at the London Gallery and continuing from her studio at home, Deirdre always begins work on new collections in February/March, nearly one year ahead of launch, at January’s Maison et Objet Paris.  In this sense lockdown couldn’t have come at a better time.  So without giving too much away here is a sneak peak of what is to come.

Having to be just as resourceful during these difficult times, Deirdre decided to find inspiration away from the natural world, focussing on the ‘inside’ rather than the ‘outside’ and using an everyday material, that is to hand.

Deirdre is exploring this simple idea in depth, to see how much variation can be made from it whilst still being recognisable for what it is, with particular emphasis on form, texture, light and shade.

Having briefly explored this in the past, Deirdre Dyson has found another opportunity to rediscover ways in which to manipulate the material into interesting designs and forms for development.

A deviation from past collections, 2021 will focus on the ‘beauty of simplicity’ in a world that has now become rather more complicated.

All will be revealed next year but in the meantime these inspired new designs are soon to be woven by our skilled Nepalese craftspeople observing social distancing and we’re excited to unveil them at Maison in January next year.


Share this post

Deirdre Dyson Paris Gallery Opens

We are delighted to announce that despite lockdown delays, Deirdre Dyson Paris is now open by appointment only.

Deirdre has a long association with Paris, launching her annual rug collection every year at Maison et Object, so it seemed natural to have a permanent display space there.

The wonderful gallery, in the historic Saint-Germain des Prés is a calm and inviting space, designed by celebrated Interior Designer Remi Tessier, working closely with Deirdre to tailor make a perfect interior in which to showcase her luxurious hand knotted rug designs.

Deirdre has chosen a selection of rug designs including a superb large-scale version of this year’s TRANSPARENT together with LIGHT FRAGMENTS and a stunning new working of partner versions of DAWN in alternating blue and red wool and silks.

Deirdre’s Parisian representative Julia will be on hand to guide clients through the designs and advise on design and colour choice.

To arrange your exclusive appointment please contact Julia@deirdredyson.com


Share this post

Deirdre’s Design Inspiration – Water

Deirdre Dyson at work in her studio at home.

 

Continuing our exploration of inspiration and what keeps us #INspired, Deirdre draws inspiration for her designs from myriad sources but one recurring area of fascination is water – be it BULRUSHES reflected in a lake or lapping water on the shore in SEAWASH.

We thought exploring some of these rug designs would be fascinating – the source of inspiration being fundamentally the same, the designs themselves could not be more different.

BULRUSHES

BULRUSHES
Deirdre Dyson Exclusive Carpets and Rugs BULRUSHES

One of Deirdre’s more figurative designs and one that has captured people’s imagination and become a classic and was inspired by Deirdre’s painting of the same name.

This rug features the naturally abstracted forms of bulrushes, their bending shafts reflected and refracted in lake water.

Deirdre uses a graded wool/silk mix background to recreate the skyline and lake water which merge on the horizon to create this perfectly framed design.  The finished rug is so captivating one client choose to hang it on a wall of their home.

BULRUSHES won both the International Wool Carpet & Rug Awards (Design Sector) 2017 and the International Design & Architecture Awards (Flooring, Carpet & Rugs) 2017.

 

SEAWASH

SEAWASH indigo
Deirdre Dyson Exclusive Carpets and Rugs SEAWASH INDIGO

The success of Deirdre’s SEAWASH rug design is all in the grade – which required Deirdre’s exceptional eye for colour to achieve this seamless ebb and flow effect.

Originally Deirdre designed the carpet in two versions, INDIGO (above) and BEIGE (below) which have become favourite designs amongst clients, we have created both large scale carpets and runners from this endlessly versatile design.

SEAWASH beige
Deirdre Dyson Exclusive Carpets and Rugs SEAWASH BEIGE

SEAWASH comes alive hand knotted in lustrous 100% silk (as in the versions above), providing the perfect watery, iridescent finish but has also been recreated several times using varying colourways in hand knotted and gun tufted 100% wool versions.

 

NAUTICAL

NAUTICAL
Deirdre Dyson Exclusive Carpets and Rugs
NAUTICAL

In NAUTICAL Deirdre again treats her source inspiration completely differently – abstracting sea water into fluid but solid geometric shapes, creating a feeling of depth and movement by alternating the same colours in wool and silk.

Clients can of course change these colours from the original water based palate but fundamentally this ‘breaking down’ of the sea to its most basic elements is the key to this design.

 

LILYPOND

LILYPOND
Deirdre Dyson Exclusive Carpets and Rugs LILYPOND

For LILYPOND Deirdre created a subtle, light to dark grade to give the impression of still pond water.

This circular grade, a challenge for our weavers, creates a sense of depth and bursts of colour are provided by the silk lilypads creating a 3D  effect.

 

SEASCAPE and SEA MIST

 

Both these designs are based on light (silk bars) reflected on sea water (a graded wool background)

SEASCAPE is an incredible 7m in width, reflecting the expansiveness of the sea and a chance for Deirdre to illustrate just how large hand knotted carpets can be.

SEASCAPE features shots of sunlight on the sea’s surface whilst SEA MIST uses stormier hues and was made on a more domestic scale but is no less effective.

SEASCAPE is currently available in it’s original 7 x 2.3m size and as a 1 x 2.9m runner in our sample sale.

ROMAN POND

ROMAN POND
Deirdre Dyson Exclusive Carpets and Rugs
ROMAN POND

Whilst not strictly inspired by water itself, the first of Deirdre’s mosaic designs was inspired by mosaic lined Roman ponds, the intricacy of ROMAN POND poses a challenge to our weavers as the thin lines of wool ‘grouting’ around the ingots of silk are incredibly complex to achieve (and individually carve out) but the finished effect is stunning.

 

RIVULETS
The everyday source inspiration for this rug only adds to its allure  – RIVULETS mimics the trail of rain drops on a window pane – the simplest of inspiration led Deirdre to this wonderfully subtle graded design.

Finally this year’s LOOKING GLASS Collection was inspired by glass and glass objects including a water filled flask in LOOKING THROUGH, discarded pieces of sea worn glass in FLOATING GLASS and abstracted light and forms through glass and water in LIGHT FRAGMENTS.  See the full collection here.

Looking for inspiration for your home? Explore all of Deirdre Dyson’s entirely bespoke rug designs in our Design Library and imagine how you could make it your own.  Contact us with any enquiries.

 


Share this post

FROM LOOM TO ROOM…Part Two

Part two of Edison’s blog post on behind the scene facts about the unique and timeless quality of your bespoke hand knotted rug.

Your Carpet could be an antique of the future.

Our carpets are made to the highest standards and are heirloom quality pieces that will be enjoyed and appreciated as much in the future as they are today. As a trained artist, Deirdre Dyson approaches every design as a work of art, each being able to compliment the breadth of different interior styles and trends. Hand knotted carpets also hold their value very well.

Deirdre Dyson LOOKING THROUGH (wall) and FLOATING GLASS  (floor) bespoke hand knotted wool and silk rugs. Copyright Deirdre Dyson Carpets Ltd

 

Quality materials make a quality product.

Quality is key. From Deirdre’s initial ideas and design sketches, to the materials employed and the skill of our weavers and London team, we make sure that only the best factors and considerations are invested into creating carpets for your home and interior space.

A design consultancy service is available at our London gallery which is located in the heart of the Chelsea Design Quarter. We are here to assist and guide you in making the right choice and using the best combinations of materials and colours (from 5,000 available colours).

The Tibetan wool used in our carpets are rich in natural oils, making them not only soft and naturally stain resistant but also very hardwearing. The superior Chinese silk that is incorporated into many of our designs is smooth, cooling and full of vibrancy.

Deirdre Dyson Exclusive Carpets and Rugs
Deirdre Dyson Exclusive Carpets and Rugs

“Time is what we want most…and what we use best”.

Okay, so we’ve adapted the old saying by William Penn, but we think it describes our work ethic well, as every carpet creation requires time and consideration.

The design process in adapting and creating designs for our clientele takes as long as it takes to make our customers dream a reality but generally from sign off, a carpet will go into production and be ready within 3-4 months (as a general guide to lead time). We use the latest design technologies available in the carpet industry and for every carpet we make, a full-sized graph of the design is produced and hung from the back of the loom, for guidance precision. These graphic sheets look like works of art in their own right and are protected to ensure that they can’t be copied or reproduced elsewhere. We take copyright infringement very seriously

 

Deirdre’s original sketch for GOLDEN PHEASANT

Digital version of Deirdre’s original design

The finished hand knotted version of GOLDEN PHEASANT.  Copyright Deirdre Dyson Exclusive Carpets and Rugs

The finished carpet, hand knotted in graded wool with silk

At Deirdre Dyson carpets limited, we want to share with you as much useful information as possible, so our website is full of valuable tools, tips and advice. Take a look at the current collection or browse our extensive catalogue in the design library section. We’ve made finding a suitable design very easy. Our price calculator will help you cost up a design as well as offer some useful information on sizing. Please remember that nothing is set in stone as all of the designs available are bespoke and can be adapted which may affect the sqm price.

Why not take a closer look at the production process on our video links and find more information about Deirdre herself and what we’re generally up to by visiting the profile and blog pages which are regularly updated.

Deirdre Dyson EAGLE hand knotted graded wool and silk rug. Copyright Deirdre Dyson Carpets Ltd.

 

 

 

 

 


Share this post

FROM LOOM TO ROOM…Part One

A two-part blog post where Edison reveals some fascinating facts about our hand knotted rugs, their history and production…

The history and production of carpets goes back centuries and there are countless facts, tales and accounts of the evolution of carpets from past times to the present day.

At Deirdre Dyson Carpets Limited, we pride ourselves on supporting the ancient technique of hand knotting on the loom, using only natural wool and silk.  This combination of traditional craftsmanship and modern design, guarantees the livelihood of our Tibetan makers (the majority being women) and supports their local communities, whilst guaranteeing our customers a unique, quality product that is both timeless and exclusively theirs.

Historically, carpets were not used on the floor but were used as textile coverings for walls and tables and only became associated with floor treatments in European interiors from the 15th century onwards. The term “carpet” is widely used interchangeably with the term “rug” although nowadays we typically refer to smaller, free standing pieces as rugs. But who say’s rugs should only ever be small?!?

Deirdre Dyson bespoke large scale version of ATTITUDE for a Chelsea penthouse. Copyright Deirdre Dyson Carpets Ltd
Deirdre Dyson bespoke large scale version of SCATTER. Copyright Deirdre Dyson Carpets Ltd

Behind every Deirdre Dyson carpet lies a story and here are a few interesting facts and snippets of information that you may not be aware of but might be interested to know more about.

Take a look from behind.

The best way to appreciate the skill of making a quality hand knotted carpet is to take a look at the back, an area of the carpet so many of us rarely focus on. It’s from here that you really understand just how many knots it takes to make a rug, and the particular time and skill required when changing or grading colours across a large area. It reminds us of just how unique each bespoke carpet is; each one being entirely handmade and finished.

On the back of every Deirdre Dyson carpet, you’ll also find the ‘Goodweave’ label, with a unique code to ensure your carpet was made ethically and in line with Goodweave standards. Additionally, through our Goodweave membership, a percentage of our profits go back into local community projects such as schooling and education for the young. By purchasing our carpets, you are directly supporting the Nepalese carpet industry and communities in a positive way.

 

Deirdre Dyson Exclusive Carpets and Rugs Label
Each Deirdre Dyson hand knotted rug has its own unique, numbered GOODWEAVE label

Custom made is best.

With the environment on everyone’s minds and lips, a bespoke carpet offers one of the best solutions for interior decoration.

Being custom made, we’re creating a carpet that is tailored to your needs in size, shape, design and colour and therefore you will most likely want to treasure it for a long time. Custom made also decreases unnecessary waste, as every rug is created on a ‘made to order’ basis. Our carpets are knotted in the traditional method just like antique carpets but are created with contemporary style and superior materials that are made to last.

 

A large scale version of Deirdre Dyson’s PINNACLE hand knotted rug. Copyright Deirdre Dyson Carpets Ltd.

 

A version of Deirdre Dyson’s DAWN hand knotted graded wool and graded silk rug. Photograph Simone Bossi. Copyright Alexander Martin Architects.

Learn more in part two of this blog post.

 


Share this post

Deirdre Dyson’s inspiration for the LOOKING GLASS rug collection

Deirdre’s 2020 collection has just launched at Maison et Objet, Paris.

These hand knotted designs were inspired by Deirdre’s observations of colours and forms through glass, glass objects and water.  Nine new designs take her carpets in an entirely different direction.

Read all about Deirdre’s inspiration for each carpet in the LOOKING GLASS Collection here in her own words:

Last summer I found myself mesmerised by everything I could see through glass and water, particularly on holiday where the sun made everything glitter.

I decided to try to make my designs seem ‘glassy’ even though I was working in wool!  If I failed, I might create something unexpected – I love the challenge of the unknown result and you only discover if you explore.

GLASS CUBES

I started with two little rectangular vases of different colour, photographed them and analysed the colours they created when they were overlapping each other.

I designed two simple geometric shapes representing the cubes and inserted the exact colours from my palette of wool poms to represent where the two colours overlapped which gives the illusion of looking through glass.

I finished the piece with wide silken borders to add the shine and glitter of glass.  I was hugely surprised and excited at the finished carpet which really looked glassy and also very three dimensional.  This encouraged me to explore several different ideas about glass.

SLIVERS

The next attempt led on from this overlapping idea.  I didn’t even need real glass, I just created four shapes, selected four colours and overlapped them creating the colour I imagined would occur if they existed.

What made this carpet successful was the grading I decided to do within each piece.  I had to select about 8 grades of each colour to grade from dark to light, and from the outside in, to give the illusion of seeing through the glass.

This was the first time that we had tried to grade within a random shape which was very difficult to specify for our craftspeople and a new challenge for them too.  Again they succeeded and have given me a new skill to work with in the future.

TRANSPARENT was designed from an existing vase with various shapes and colours in the glass.

I created my own shapes and colours and again looked for the overlapping colours that I knew would occur.  Because the inspiration was a vase I added some silk highlights to represent light against the outside of the vase.  Each of these highlights was a paler colour of the colour underneath.

LIGHT FRAGMENTS

I have a very simple water flask and thought of two different things that I could do with it.  One was to paint exactly what I could see inside through the water which were random abstract shapes and colours which looked distorted and bent through the water and also to add highlights again of paler colours and in silk as seen on the outside of the vase.

LOOKING THROUGH

The second idea was to paint what was behind the vase ie. boat rigging and blue cushions with reflections on a shiny table and then paint the distortions of these within the flask without drawing the outline of the flask.  I knew from exercises in my student days that without trying, the flask would slowly appear and it did, and it does in the carpet, although I made the colours within the flask a tiny bit paler to help it reveal itself.

 

FLOATING GLASS

Being on a boat made me think of all the bits of worn glass that we often find washed up on beaches so another idea was to include chinks of floating glass in a flowing, watery setting.

LIGHT BETWEEN

I had used a great deal of colour in the collection so finally decided to do some monochromatic grading with a path of light and two simple glassy bars in silk that you feel you can see through as they pass over the greys and light between.

This was an accidental idea caused by placing a plain glass bowl, which had a glass ball as its base, on top of a patterned glass plate.  This created a magnification which I decided to represent in silk with just a tiny lightening of the colour inside the area.

STAINED GLASS

On a visit to the Amalfi Cathedral and in one of the small rooms at the back behind all the magnificence of marble and gold was a small plain window high up with beautiful, simple pale colours.  The light behind it made it impossible to photograph but the colours stayed in my mind and I thought that in silk, it might make a lovely wall hanging for a windowless room.
Click here to view all Deirdre’s new designs online or contact us to arrange a viewing of the new collection at our Kings Road gallery.

Share this post

Botanical Inspirational – A visit to Chelsea Physic Garden

A perfect Autumn day provided the ideal opportunity for Edison to visit a hidden gem nearby, Chelsea Physic Garden.

Flowers, plants and botanicals have long been a source of inspiration for Deirdre’s rug designs from HAIRY SEDGE to RIBWORT PLANTAIN to FALLING LEAVES , WINDSWEPT and the award winning AUTUMN LEAVES and the wealth of plant life at Chelsea Physic Garden would prove hugely inspirational to any designer.

Chelsea Physic Garden is a fascinating place established in 1673 by Apothecaries, the oldest botanical garden in London and an oasis by the Thames which occupies a four-acre plot beside Chelsea Embankment.

The garden includes over 5,000 different edible, useful and medicinal plants including numerous rare and endangered species.

Thanks to its warm micro climate, the garden features the largest outdoor fruiting olive tree in Britain and the world’s most northerly outdoor grapefruit tree. From pomegranates to ginkgoes, mulberries to eucalyptus, there are over 100 different species of tree in the Garden, many of which are rare in Britain.

The historic Glasshouses hold a collection of tropical and sub-tropical species, complemented by a Victorian Cool Fernery.

Enjoy some of Edison’s fabulous photographs of the plants on view in stunning autumnal light, particularly some fantastically sculptural succulents!


Share this post

CDQ Autumn Event Collaboration with Stephenson Wright and Jan Erika revealed

We are huge fans of Interior Designers Stephenson Wright whose combined attention to detail, eye for colour and refined aesthetic translate their clients needs and requirements into beautiful homes.

Juliette and Natalie recently expanded their portfolio to include bespoke furniture design and have created a capsule collection which launched at this year’s Decorex.

Some of these beautiful and functional pieces such as their Plink and Plonk occasional tables and Barrel stools, are uniquely customised by Artist Jan Erika.

Jan is a prolific artist whose bold graphic style works brilliantly with these classic contemporary Stephenson Wright designs.

We love to celebrate all things handmade and bespoke and the launch of Chelsea Design Quarters Designers page, a directory of local Interior Designers celebrated by the CDQ Autumn Event allowed us to showcase the exceptional talent of Stephenson Wright and Jan Erika with Deirdre’s bold and vibrant MANDARIN wool and silk rug.

Edison’s concept of double height banners making the most of the gallery’s atrium ran to 19m and Jan’s bold ‘Zebramane’ brushstrokes create an eye catching backdrop for Deirdre’s rug from this year’s PLUMAGE Collection and Jan’s customised tops for Stephenson Wright’s Plink and Plonk tables, their black scalloped bases reflecting the monochrome banners and black detailing in Deirdre’s rug design.

The CDQ Autumn Event culminates in the CDQ Raffle on Thursday 21st November with an exclusive event at Tom Faulkner.

By purchasing a ticket you support the invaluable work of homeless charity Glass Door and get the chance to win a selection of superb prizes donated by CDQ members such as a night at The Bath Priory on a revolutionary Ammique bed, a Martin Brudnizki Studio light donated by  Drummonds Bathrooms a Baby Soho Drum stool by George Smith, door knobs from Haute Deco , Stephenson Wright limited edition gin bottle customised by Jan, a Lily Cocktail table by  Tom Faulkner Tickets can be purchased here