The wonderful gallery, in the historic Saint-Germain des Prés is a calm and inviting space, designed by celebrated Interior Designer Remi Tessier, working closely with Deirdre to tailor make a perfect interior in which to showcase her luxurious hand knotted rug designs.
Deirdre has chosen a selection of rug designs including a superb large-scale version of this year’s TRANSPARENT together with LIGHT FRAGMENTS and a stunning new working of partner versions of DAWN in alternating blue and red wool and silks.
Deirdre’s Parisian representative Julia will be on hand to guide clients through the designs and advise on design and colour choice.
Continuing our exploration of inspiration and what keeps us #INspired, Deirdre draws inspiration for her designs from myriad sources but one recurring area of fascination is water – be it BULRUSHES reflected in a lake or lapping water on the shore in SEAWASH.
We thought exploring some of these rug designs would be fascinating – the source of inspiration being fundamentally the same, the designs themselves could not be more different.
One of Deirdre’s more figurative designs and one that has captured people’s imagination and become a classic and was inspired by Deirdre’s painting of the same name.
This rug features the naturally abstracted forms of bulrushes, their bending shafts reflected and refracted in lake water.
Deirdre uses a graded wool/silk mix background to recreate the skyline and lake water which merge on the horizon to create this perfectly framed design. The finished rug is so captivating one client choose to hang it on a wall of their home.
BULRUSHES won both the International Wool Carpet & Rug Awards (Design Sector) 2017 and the International Design & Architecture Awards (Flooring, Carpet & Rugs) 2017.
The success of Deirdre’s SEAWASH rug design is all in the grade – which required Deirdre’s exceptional eye for colour to achieve this seamless ebb and flow effect.
Originally Deirdre designed the carpet in two versions, INDIGO (above) and BEIGE (below) which have become favourite designs amongst clients, we have created both large scale carpets and runners from this endlessly versatile design.
SEAWASH comes alive hand knotted in lustrous 100% silk (as in the versions above), providing the perfect watery, iridescent finish but has also been recreated several times using varying colourways in hand knotted and gun tufted 100% wool versions.
In NAUTICAL Deirdre again treats her source inspiration completely differently – abstracting sea water into fluid but solid geometric shapes, creating a feeling of depth and movement by alternating the same colours in wool and silk.
Clients can of course change these colours from the original water based palate but fundamentally this ‘breaking down’ of the sea to its most basic elements is the key to this design.
Whilst not strictly inspired by water itself, the first of Deirdre’s mosaic designs was inspired by mosaic lined Roman ponds, the intricacy of ROMAN POND poses a challenge to our weavers as the thin lines of wool ‘grouting’ around the ingots of silk are incredibly complex to achieve (and individually carve out) but the finished effect is stunning.
The everyday source inspiration for this rug only adds to its allure – RIVULETS mimics the trail of rain drops on a window pane – the simplest of inspiration led Deirdre to this wonderfully subtle graded design.
Part two of Edison’s blog post on behind the scene facts about the unique and timeless quality of your bespoke hand knotted rug.
Your Carpet could be an antique of the future.
Our carpets are made to the highest standards and are heirloom quality pieces that will be enjoyed and appreciated as much in the future as they are today. As a trained artist, Deirdre Dyson approaches every design as a work of art, each being able to compliment the breadth of different interior styles and trends. Hand knotted carpets also hold their value very well.
Quality materials make a quality product.
Quality is key. From Deirdre’s initial ideas and design sketches, to the materials employed and the skill of our weavers and London team, we make sure that only the best factors and considerations are invested into creating carpets for your home and interior space.
A design consultancy service is available at our London gallery which is located in the heart of the Chelsea Design Quarter. We are here to assist and guide you in making the right choice and using the best combinations of materials and colours (from 5,000 available colours).
The Tibetan wool used in our carpets are rich in natural oils, making them not only soft and naturally stain resistant but also very hardwearing. The superior Chinese silk that is incorporated into many of our designs is smooth, cooling and full of vibrancy.
“Time is what we want most…and what we use best”.
Okay, so we’ve adapted the old saying by William Penn, but we think it describes our work ethic well, as every carpet creation requires time and consideration.
The design process in adapting and creating designs for our clientele takes as long as it takes to make our customers dream a reality but generally from sign off, a carpet will go into production and be ready within 3-4 months (as a general guide to lead time). We use the latest design technologies available in the carpet industry and for every carpet we make, a full-sized graph of the design is produced and hung from the back of the loom, for guidance precision. These graphic sheets look like works of art in their own right and are protected to ensure that they can’t be copied or reproduced elsewhere. We take copyright infringement very seriously
The finished carpet, hand knotted in graded wool with silk
At Deirdre Dyson carpets limited, we want to share with you as much useful information as possible, so our website is full of valuable tools, tips and advice. Take a look at the current collection or browse our extensive catalogue in the design library section. We’ve made finding a suitable design very easy. Our price calculator will help you cost up a design as well as offer some useful information on sizing. Please remember that nothing is set in stone as all of the designs available are bespoke and can be adapted which may affect the sqm price.
Why not take a closer look at the production process on our video links and find more information about Deirdre herself and what we’re generally up to by visiting the profile and blog pages which are regularly updated.
A two-part blog post where Edison reveals some fascinating facts about our hand knotted rugs, their history and production…
The history and production of carpets goes back centuries and there are countless facts, tales and accounts of the evolution of carpets from past times to the present day.
At Deirdre Dyson Carpets Limited, we pride ourselves on supporting the ancient technique of hand knotting on the loom, using only natural wool and silk. This combination of traditional craftsmanship and modern design, guarantees the livelihood of our Tibetan makers (the majority being women) and supports their local communities, whilst guaranteeing our customers a unique, quality product that is both timeless and exclusively theirs.
Historically, carpets were not used on the floor but were used as textile coverings for walls and tables and only became associated with floor treatments in European interiors from the 15th century onwards. The term “carpet” is widely used interchangeably with the term “rug” although nowadays we typically refer to smaller, free standing pieces as rugs. But who say’s rugs should only ever be small?!?
Behind every Deirdre Dyson carpet lies a story and here are a few interesting facts and snippets of information that you may not be aware of but might be interested to know more about.
Take a look from behind.
The best way to appreciate the skill of making a quality hand knotted carpet is to take a look at the back, an area of the carpet so many of us rarely focus on. It’s from here that you really understand just how many knots it takes to make a rug, and the particular time and skill required when changing or grading colours across a large area. It reminds us of just how unique each bespoke carpet is; each one being entirely handmade and finished.
On the back of every Deirdre Dyson carpet, you’ll also find the ‘Goodweave’ label, with a unique code to ensure your carpet was made ethically and in line with Goodweave standards. Additionally, through our Goodweave membership, a percentage of our profits go back into local community projects such as schooling and education for the young. By purchasing our carpets, you are directly supporting the Nepalese carpet industry and communities in a positive way.
Custom made is best.
With the environment on everyone’s minds and lips, a bespoke carpet offers one of the best solutions for interior decoration.
Being custom made, we’re creating a carpet that is tailored to your needs in size, shape, design and colour and therefore you will most likely want to treasure it for a long time. Custom made also decreases unnecessary waste, as every rug is created on a ‘made to order’ basis. Our carpets are knotted in the traditional method just like antique carpets but are created with contemporary style and superior materials that are made to last.
Chelsea Physic Garden is a fascinating place established in 1673 by Apothecaries, the oldest botanical garden in London and an oasis by the Thames which occupies a four-acre plot beside Chelsea Embankment.
The garden includes over 5,000 different edible, useful and medicinal plants including numerous rare and endangered species.
Thanks to its warm micro climate, the garden features the largest outdoor fruiting olive tree in Britain and the world’s most northerly outdoor grapefruit tree. From pomegranates to ginkgoes, mulberries to eucalyptus, there are over 100 different species of tree in the Garden, many of which are rare in Britain.
The historic Glasshouses hold a collection of tropical and sub-tropical species, complemented by a Victorian Cool Fernery.
Enjoy some of Edison’s fabulous photographs of the plants on view in stunning autumnal light, particularly some fantastically sculptural succulents!
In celebration of GoodWeave’s 25th anniversary, Deirdre Dyson has donated her GOLDEN STONE rug (top right) valued at £4,314 to their annual raffle.
Inspired by the seashores of The Pearl Islands of Panama, GOLDEN STONE is hand-knotted in Tibetan wool and Chinese silk in shades of cream, gold, brown and coral. It measures 1.70 x 2.35m. For just a £20 charitable donation, you have a chance to own this luxury GoodWeave certified rug.
While Deirdre Dyson‘s design is stunning, we think the back of this rug is just as beautiful. On the underside, you will find a numbered GoodWeave label, meaning that independent inspectors ensured the rug’s manufacturing process met the highest ethical standards of production.
All proceeds benefit GoodWeave’s programmes for vulnerable and rescued children.
We hope you enter to win GoodWeave’s charity raffle today! With every £20 ticket purchased, you improve your odds of winning and become a part of a beautiful story of freedom for children in Nepal, India, and Afghanistan. And remember, for every £80 worth of tickets you purchase, you’ll receive an extra one for free!
Considered as one of the important founders of contemporary photography, Bourdin’s images are highly charged and highly provocative; full of sensual and mysterious narrative but remaining colourful and often playful.
His advertising campaigns became synonymous with haute-couture whilst the product always came secondary to the image.
“We want [companies] to think beyond the factory gate…GoodWeave’s unique offering is the combination of inspection and monitoring and community mobilisation throughout the supply chain… making this initiative a viable complement to those already underway, as well as a stand-alone best practice.” — Joost Kooijman, UNICEF
The GoodWeave label is as important to us as the Deirdre Dyson label on our carpets.
GoodWeave was born in an Indian jail cell in the early 1990s. After reuniting a trafficked child weaver with his mother, future Nobel Prize Laureate Kailash Satyarthi was outraged to see dozens more children with a labour broker.
Imprisoned overnight for causing a disturbance, he awoke with a simple idea: follow the money. If companies and consumers refuse to buy products tainted by child labour, producers can’t make them. Kailash reached out to allies and GoodWeave International was officially established in 1997. It was the first organisation to use product labeling to remediate a human rights issue.
Today, GoodWeave’s market-driven model includes company engagement, supply chain inspections, product certification, consumer awareness, victim rescue and remediation, and preventative efforts such as educational programmes in at-risk communities. GoodWeave reaches layers of the supply chain that were previously invisible — making child labour a thing of the past.
Harness Market Forces in partnership with rug importers and high street brands to create demand for goods made without child labour. GoodWeave prevents children from toiling in labour by distinguishing products with the GoodWeave label.
Clean up Supply Chains by independently monitoring against the GoodWeave Standard, including all tiers of production from factory to individual home, and remediating all cases of child labour.
Create Educational Opportunities to stem the tide of child labour, ensuring that all children from vulnerable worker communities are attending school and learning.
Improve Conditions for All Workers by addressing a broad set of workers’ rights throughout the supply chain and offering skills training and other improvement programmes.
The Figures* involves are staggering:
152 million child labourers worldwide
72 million children performing hazardous work
25 million people living in forced labour
6.3 million children in forced labour
Child labour and global supply chains are getting increasing attention, yet practical solutions that respond to the priorities of both workers and businesses remain elusive. While many organisations work in this field, the collective effort is not yet reaching the most vulnerable at the very bottom of the supply chain, such as in sub-contracted sites and where homeworkers are found. GoodWeave addresses this gap.
*Data from “Global Estimates of Modern Slavery,” International Labour Organisation and Walk Free Foundation, 2017
Arup also worked on the Opera House and the two men met during the early stages of its design, culminating in Ahm asking Utzon to design his home which he built in Harpenden, Hertfordshire from 1961-3. It was to be Utzon’s only completed project in the UK.
This low-lying Pavilion of concrete and brick unfolds to dramatically reveal floor to ceiling glass bringing the secluded, mature gardens into the classic mid-Century space. In the words of architecture critic Hugh Pearman “Probably the best Modern house in the world”.
As Ahm’s family grew, a later extension was added by Ulrik Plesner in association with Christopher Beaver Associates in 1972-4.
Now Grade II listed, from the street the house gives nothing away, dominated by its car port (and the later garage which formed part of the Plesner extension)
Ahm’s widow sold the house after his death in 2005 and it was sold again in 2016. The new owners wanted to maintain the character of the home and employed Architects Coppin Dockray to work on the interiors which have been sensitively restored. The restoration went on to win the Wallpaper* Design Award 2019 for Best Remastered Building.
Fast forward to Autumn last year and our shoot which featured Deirdre’s PLUMES, HARLEQUIN, MANDARIN, BURLESQUE and FEATHER BOUND rugs – Deirdre and Edison knew something special would unfold when they attended the shoot at the Ahm House and the finished photographs by Michael Sinclair are testament to that.