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FROM LOOM TO ROOM…Part One

A two-part blog post where Edison reveals some fascinating facts about our hand knotted rugs, their history and production…

The history and production of carpets goes back centuries and there are countless facts, tales and accounts of the evolution of carpets from past times to the present day.

At Deirdre Dyson Carpets Limited, we pride ourselves on supporting the ancient technique of hand knotting on the loom, using only natural wool and silk.  This combination of traditional craftsmanship and modern design, guarantees the livelihood of our Tibetan makers (the majority being women) and supports their local communities, whilst guaranteeing our customers a unique, quality product that is both timeless and exclusively theirs.

Historically, carpets were not used on the floor but were used as textile coverings for walls and tables and only became associated with floor treatments in European interiors from the 15th century onwards. The term “carpet” is widely used interchangeably with the term “rug” although nowadays we typically refer to smaller, free standing pieces as rugs. But who say’s rugs should only ever be small?!?

Deirdre Dyson bespoke large scale version of ATTITUDE for a Chelsea penthouse. Copyright Deirdre Dyson Carpets Ltd
Deirdre Dyson bespoke large scale version of SCATTER. Copyright Deirdre Dyson Carpets Ltd

Behind every Deirdre Dyson carpet lies a story and here are a few interesting facts and snippets of information that you may not be aware of but might be interested to know more about.

Take a look from behind.

The best way to appreciate the skill of making a quality hand knotted carpet is to take a look at the back, an area of the carpet so many of us rarely focus on. It’s from here that you really understand just how many knots it takes to make a rug, and the particular time and skill required when changing or grading colours across a large area. It reminds us of just how unique each bespoke carpet is; each one being entirely handmade and finished.

On the back of every Deirdre Dyson carpet, you’ll also find the ‘Goodweave’ label, with a unique code to ensure your carpet was made ethically and in line with Goodweave standards. Additionally, through our Goodweave membership, a percentage of our profits go back into local community projects such as schooling and education for the young. By purchasing our carpets, you are directly supporting the Nepalese carpet industry and communities in a positive way.

 

Deirdre Dyson Exclusive Carpets and Rugs Label
Each Deirdre Dyson hand knotted rug has its own unique, numbered GOODWEAVE label

Custom made is best.

With the environment on everyone’s minds and lips, a bespoke carpet offers one of the best solutions for interior decoration.

Being custom made, we’re creating a carpet that is tailored to your needs in size, shape, design and colour and therefore you will most likely want to treasure it for a long time. Custom made also decreases unnecessary waste, as every rug is created on a ‘made to order’ basis. Our carpets are knotted in the traditional method just like antique carpets but are created with contemporary style and superior materials that are made to last.

 

A large scale version of Deirdre Dyson’s PINNACLE hand knotted rug. Copyright Deirdre Dyson Carpets Ltd.

 

A version of Deirdre Dyson’s DAWN hand knotted graded wool and graded silk rug. Photograph Simone Bossi. Copyright Alexander Martin Architects.

Learn more in part two of this blog post.

 


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BESPOKE FITTED AND FREE-STANDING CARPETS FOR A GEORGIAN TOWNHOUSE MAYFAIR, LONDON

A bespoke hand knotted version of UP AND OVER

Lady Deirdre Dyson was commissioned to create fourteen contemporary carpets – six hand knotted, free-standing rugs and eight gun tufted, fitted carpets together with a stair runner over four floors for this 18th Century listed Georgian townhouse.

The house, actually two adjoining properties, was restored and repurposed by Alexander Martin Architects (AMA) for use as private offices in Mayfair, London.

The brief required Deirdre to design a total of 350 square metres of highest quality wool and silk floor coverings for the entire property.

The incredible gun tufted 100% wool graded carpet created for the oak barley twist staircase.

Materials throughout the building were selected for their timeless quality, echoing those present in the original building. A palette of natural oak, stone and pale grey provides a backdrop for the bespoke Deirdre Dyson carpets used throughout.

The expanses of wool and silk used in the rug, carpet and runner designs sit perfectly with remaining original features and the stark modern interior application in the office spaces on the upper floors.

The central oak barley twist staircase is dramatically hugged top to bottom by a stair runner that creates a sense of movement with graded hues that flow from dark to light (pictured above)

A bespoke gun tufted, fitted version of  TWILIGHT in one of the top floor office spaces.

Through her use of bold geometric designs, Lady Dyson developed a scheme to bring contrast and complimentary accent colours which define and enhance the individual rooms. A total of fifty separate colours were used across the project with some carpets having up to sixteen colours alone.

A bespoke hand knotted version of SCATTER

The carpets give each room a separate identity and interest but Dyson has connected the spaces using a similar colour palette, often through the use of colour grading, adding personality with dramatic bursts of colour, be it a bold blue or vivid terracotta. All working in tandem with remaining original features and the architect’s contemporary reworking of the building.

A bespoke hand knotted version of SEAWASH

In some cases, Deirdre’s designs reference the building directly such as a version of her DAWN carpet design, its dramatic copper silk stripes echoing the copper cladding in the garden outside.

Deirdre Dyson’s bespoke hand knotted DAWN carpet in the Garden Room.

A bespoke hand knotted version of OPTIC

The scale of these carpets created challenges for both our weavers in Nepal (in some cases measuring up to 5m square)  and the skilled tufters here in the UK as well as specialist fitters but a close, collaborative team effort realised Deirdre Dyson’s vision to stunning effect.

The project featured in  an extensive editorial feature in Wallpaper* magazine, click here to read.


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PLUMAGE RUG COLLECTION LAUNCH PARTY

Sam and Mark from Echlin chat to Deirdre Dyson, Pandora from World of Interiors in conversation with James Dyson

We love revealing Deirdre’s new rug designs at Maison & Objet every January but by contrast, Deirdre’s annual UK collection launch, held here in the intimacy of our Kings Road gallery, is by far the highlight of our year.

The evening gives Deirdre a chance to catch up with valued friends of the brand as well as clients old and new and introduce her carpets in person whilst guests can touch and feel the incredible quality of the finished designs, see the lustre of the silk and the true colours which are always best viewed ‘in the flesh’.

Lady Dyson in front of her limited edition carpet artwork UNBOUND

This year’s collection inspired by the hues and patterns of birds and their feathers, is a riot of colour and contrast and provoked much admiration and discussion.  As did Deirdre’s first carpet artwork, UNBOUND, created in a limited edition of three and intricately handwoven in 32 colours of wool and silk.

UNBOUND was recently included in The Luxury Cave launch event at the Design Museum and was so overwhelmingly well received that Deirdre is now working on another limited-edition wall piece, more details to be revealed soon.

Flowers by Clayton at Strudwick Flowers provided the perfect backdrop to the evening’s festivities.  Deirdre had requested natural arrangements with fluid forms reflecting the designs on display and Clayton fulfilled this brief perfectly, picking up the reds in both HARLEQUIN and UNBOUND on the first floor and the golden and buttery tones of GOLDEN PHEASANT and BURLESQUE on the ground floor.

Bespoke cocktails colour co-ordinated with Deirdre Dyson’s QUILLS rug

This year guests enjoyed lavender cocktails selected by Edison to compliment the purple found in Deirdre’s new QUILLS rug design, Champagne and Dyson wine together with delicious canapes by Aquashard such as mushroom arancini, steak tartare and mini fish and chips.  Guests were extremely well looked after by Aquashard’s John Wiltshire and his team.

Lily from Cereal Magazine with Deirdre Dyson PR Zara Brown of Zedcoms
Wallpaper* Online Editor Sujata Burman, Chanda Pandya of Rossana/The Luxury Cave, Sir James Dyson and Dave Harvey of Wallpaper*

The gallery, designed by Architect Timothy Hatton (pictured) comes in to its own at night and the wonderful atmosphere led to a very special evening celebrating another stellar rug collection by Deirdre.

Paresh Dudhaiya, Tricia Topping of Luxury Topping, Mary Wiggin and Rachel Bull of Co-Existence
Correna Mitchell, Sir James Dyson, Sir James Bucknall, Architect Timothy Hatton, Julia Carrick and Darren Miller of Rossana/The Luxury Cave

Michael Messenger, Diana Wilkinson, Model and Author Victoria Nixon and Deirdre Dyson
Sir James Dyson and Architect Timothy Hatton
Occa Designs CEO Kate Mooney (right) and Clare-Ann Coll
Julia Carrick and Brendon Moss
Nichole Detering and Nicholas Hanslip of Franklin of Project Management with Sir James Bucknall
Sir James and Lady Dyson
Stylists Louisa Grey and Marianne Cotterill
John Wiltshire and members of his Aquashard team
Stylist Marianne Cotterill
Al Martin of Alexander Martin Architects
Correna Mitchell of Timothy Hatton Architects

Designer Sue Timney
Tricia Topping of Luxury Topping